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Features

Getting your audience to talk to your characters

Playing a simple game to advertise Resident Evil can help you understand the deep emotional structure of characters you write.…

Features

Understanding the copyright battleground

The creative sector's battle over copyright is likely to come to a head in 2017. We decode the jargon and…

Opinions & Analysis

Diversity is a white word

The superficial scramble for cultural diversity is not addressing the deep causes of exclusion and the power imbalance in the…

Opinions & Analysis

What creative arts stand to lose from ABC RN cuts

The ABC's decision to ‘de-commission’ music, features & creative content on Radio National has far-reaching implications for Australian culture.

Features

We have a once in 100 years opportunity says key industry researcher

How big is big? What kind of structures work? Will the promise of digital come true? David Court asks some…

Features

Productivity Commission lays out final report to much dismay

The Productivity Commission goes into combat against key industry sources of income, sends fantasy to government, expects to win.

Features

Behind the screen in 2016

Under a ghastly policy response from an inert government, the sector is reinventing itself and in a good way.

News

What's On? from Cars That Ate Paris to Scandinoir and Josh Thomas

SBS offers great film and TV on demand, while the ABC parades its comedy finest.

Features

Media Super claims investments in film and TV are prudent and successful

Superannuation fund Media Super invested over $100m of member's retirement funds in the scary business of film and television production.…

Features

AFI/AACTA's 2016 - Would anyone like a sausage roll on the red carpet?

What were the AACTAs like inside the room? Lyn Norfor leaves her production office long enough to tell all.

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