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Rating : 4.5 stars

TV: Mystery Road S2 is genre done just right

Confident nods to international crime drama make this Indigenous cop franchise a winner on multiple levels.
TV: Mystery Road S2 is genre done just right Jay Swan (Aaron Pederson) is an outsider caught between two cultures in Mystery Road S2. Image courtesy ABC.

Anthony Morris

Tuesday 21 April, 2020

On television, Australia’s crime fighters rarely carry a badge. The ABC’s recent run of murder mystery hits has starred medical examiners and flapper adventurers, while Nine’s Underbelly series and its spin-offs have taken aim at the wrong side of the law. With his gunbelt and cowboy hat, Mystery Road’s stoic Detective Jay Swan (Aaron Pedersen) is deliberately retro as he roams Australia’s wild north, a law unto himself as he hunts down a man who did him wrong. Okay, he’s actually after the head of a drug smuggling syndicate, but you get the idea.

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The first episode of the current series began with a headless body found in a swamp. It ended with the discovery of a sinister bag and young cop Fran (Jada Alberts) knocked out on her own veranda. This week’s episode answers two of those questions, but the mystery of who’s responsible for the headless corpse only deepens.

Pills similar to the ones found shoved down the corpse’s neck seem to be all over town, as does the influence of shady pearl farmer and former special forces solider Alkemi (Gary Sweet). And while Sandra Elmquist (Sofia Helin) has enough trouble with the locals over her archaeological dig without going to the cops with the bag she uncovered, there’s only so long she can keep it under wraps.

Directed by Warwick Thornton (Samson and Delilah, Sweet Country) and Wayne Blair (The Sapphires, Cleverman) and with plenty of Indigenous talent in front and behind the cameras, Mystery Road foregrounds issues of heritage in a refreshingly matter-of-fact fashion. Jay himself is explicitly positioned between two cultures, a cop distrusted by both sides. Sandra’s eagerness to uncover the past feels exploitative, yet the series doesn’t come down hard on the side of those protesting against her either. It’s not only the whites in the town of Gideon who are lost and desperate, but overwhelmingly they’re the ones who seem trapped, washed up in a place that grinds them down.

The other culture that looms large here is an international one. Mystery Road is clearly part of a global market for crime drama, and not just because Helin (star of Nordic Noir hit The Bridge) is part of the cast. This is a series where a damaged cop with a dark past arrives in a small settlement rocked by a recent brutal death. Is the killing simply a random murder, or does it have deeper links to a darkness that runs throughout the town? If that sounds like it could be the synopsis of any number of international crime dramas, it’s totally intentional.

The strength of the Mystery Road franchise throughout all its incarnations (two movies and two series to date) is that it’s never been afraid to embrace its genre side. Jay is a hardboiled cop investigating a mystery, so obviously he’s going to get beaten up a lot, argue with the local police chief Owen (Mark Mitchinson) and not worry about getting a warrant. The initial movies were basically modern westerns; if you played a drinking game based around the number of times we see Jay’s dusty cowboy boots per episode here, you’d be lucky to make it to the half way mark. But there’s a nice touch of realism to it all too, like when the definitely lazy and possibly corrupt Owen reminds Fran that she needs to file a report after firing her gun.

Mystery Road works best when these genre conventions sync up with reality. Dramatic convention requires a web of connections between the characters to heighten the stakes. Of course law-breaking activist Leonie (Ngaire Pigram) is Fran’s sister. Jay walks around a corner and whoops, there’s his ex-wife Mary (Tasma Walton) flirting with Simon (Callan Mulvey), an ex-cop who seems keen to give Jay a hand.

But this also adds to the sense of a vast, underpopulated land, where there are countless shots of the vast sweeping landscape but everybody knows each other because there’s only a handful of people to be found. The crime story is compelling and Pedersen is a charismatic lead, but it’s the sense of place that lingers, of wide empty spaces and haunted, desperate characters clinging to a landscape they’ll never understand.

4.5 stars
★★★★☆
 

Mystery Road

Writers: Blake Ayshford and Steven McGregor. Directors: Warwick Thornton, Wayne Blair
Producers: Greer Simpkin, David Jowsey, Ivan Sen
Production company: Bunya Productions for the ABC
Sunday nights on ABC and iView

 

About the author

Anthony Morris is a freelance film and television writer. He’s been a regular contributor to The Big IssueEmpire MagazineJunkeeBroadsheetThe Wheeler Centre and Forte Magazine, where he’s currently the film editor. Other publications he’s contributed to include ViceThe VineKill Your Darlings (where he was their online film columnist), The Lifted BrowUrban Walkabout and Spook Magazine. He’s the co-author of hit romantic comedy novel The Hot Guy, and he’s also written some short stories he’d rather you didn’t mention.

You can follow him on Twitter @morrbeat and read some of his reviews on the blog It’s Better in the Dark.