Found on the net: a history of Chinese horror Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Deadwood movie coming soon, confronts true mortality Deadwood broke through into the modern streaming approach to heroism, bad dudes, casual violence and grotesque squalor. It is back for one last time. Box Offfice 23 April 2019 - Mumbai grows in US, while Captain Marvel won't move on Has the country given up on imagination? Box office totals are mediocre, though Hotel Mumbai still carries itself with modest pride. Burning – Little and Great Hungers (locked) Adrian Martin takes us into the cinematic joys and fumbles of Burning, and its icy cumulative drama created by ambiguity and unnerving doubt. FACT CHECK: The real impact of the National Institutions Inquiry (locked) A recent Parliamentary Inquiry into Canberra’s national institutions made 20 recommendations. What were they, and were they warranted? (Premium content) Premium content Screenhub Hivemind Friday 2 November, 2018 It is no secret that the Screenhub Hivemind is fascinated by horror and Asian cinema. Here we share some of the reasons why. This content is only available to members of screenhub Join Now for instant access! A subscription to screenhub will enable you to: Access the most comprehensive jobs board for the screen sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian screen community today Image: We're Going to Eat You, an early Tsui Hark film from Hong Kong in 1980. You can guess what it is about. Member login Email address Password Forgot password? About the author Mostly David Tiley and Rochelle Siemienowicz, with contributions from friends, fans and Artshub staff. Between us, we flinch at nothing.