Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

Opinions & Analysis

Does art make good (reality) television?

A Brit reality tv show turns Street Art into the latest ratings pawn with a Survivor meets The Archibald zeal.

News

Double win and double takes at the AACTAs

It’s a family not an industry; that was the feeling last night at the AACTAs.

News

Craft awards remain true heart of AACTAs

The drizzle may have put a dampener on the dazzle, but there was little that could take the shine off…

News

Chinese avatars take over CACSA

From traditional video genres to virtual environments, gaming and avatars, Cao Fei brings her new world vision to Adelaide.

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When motion graphics makes a great point

During Art & About Sydney’s Hyde Park will become an urban artist’s camp with LED-activated tipis.

News

Need a head start? $10K can kickstart your career

In the wake of Australia Council’s new grant model announcement, there is one program that remains unchanged and vital -…

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Finding Vivian Maier

Maloof maintains a level of mystery which he slowly reveals like an armchair treasure hunt, riveting but without judgement.

News

Sydney art school rebranded by cutting-edge

Exploring the intersections between art, science and creative technologies this exhibition ushers in a new brand for UNSW Galleries.

News

Empowering artists through the law

The Arts Law Centre of Australia has made a difference for 30 years. It has celebrated that history this week.

News

Matthew Barney comes to MONA

Using elements from the MONA collection, this Australian exclusive turns a book into a film and exhibition to operatic proportions

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