6 best new films to stream this week

Discover the best new films to stream from 23 to 29 March 2026, as chosen by ScreenHub staff, with this guide.
Uma Thurman in Pretty Lethal. Image: Prime Video.

Empty Nets – 24 March (SBS On Demand)

Empty Nets. Image: SBS on Demand. Best new films.

Film (2023). On Iran’s northern coast, Amir struggles to secure steady work in the fishing industry while pursuing a secret romance with Narges, whose upper-class family expects greater stability. Economic precarity and social norms create tension, forcing their relationship into risk and quiet compromise.

A Best Film Nominee (Crystal Globe) at the Karlovy Vary International Film Festival 2023, Empty Nets is an earnest love story wrought by entrenched prejudices and inequality, where the young lovers must overcome their social differences for their love to survive.

Empty Nets is directed by Behrooz Karamizade (Lake Of Happiness, Bahar In Wonderland) and stars Ali Rezaei, Sara Ahmadi and Reza Karimi. Watch the trailer.

Fallen Leaves – 25 March (SBS On Demand)

Fallen Leaves. Image: SBS On Demand. Best new films.

Film (2023). In contemporary Helsinki, solitary workers Ansa and Holappa meet by chance and begin a tentative romance. With a minimalist, deadpan style, this romantic comedy-drama captures loneliness, resilience, and the subtle possibilities of love, winning the Jury Prize at the 76th Cannes Film Festival and reaffirming Finnish master Aki Kaurismäki’s signature humanistic vision.

Fallen Leaves stars Alma Pöysti, Jussi Vatanen and Janne Hyytiäinen. Watch the trailer.

Pretty Lethal – 25 March (Prime Video)

Pretty Lethal. Image: Prime Video.
Pretty Lethal. Image: Prime Video. Best new films.

Film (2026). In this action-packed thriller, five ballerinas on their way to a prestigious dance competition are barely on speaking terms when their bus breaks down in a remote forest.

With no other options, they reluctantly seek shelter at an unsettling roadside inn run by Devora Kasimer (Uma Thurman), a reclusive former ballet prodigy. From the moment they arrive, something feels wrong – and their worst instincts prove right. As the situation turns deadly, the fractured team must set aside rivalries and weaponise years of brutal training, turning grace, discipline and even pointe shoes into tools for survival.

Pretty Lethal stars Iris Apatow, Lana Condor, Millicent Simmonds, Avantika, Maddie Ziegler, Michael Culkin, Lydia Leonard and Uma Thurman. Watch the trailer.

Kissing is the Easy Part â€“ 25 March (Binge)

Kissing is the Easy Part. Image: Binge. Best new films.

Film (2025). In this new young adult romance, Sean is a model student gunning for MIT. Meanwhile, the rebellious Flora is ditching the SAT. When he agrees to help her with her studies in exchange for a university recommendation letter, he treats it as just another test. But. the hours they spend together change their relationship, and the feelings that begin to grow may complicate both their futures.

Starring Asher Angel and Paris Berelc. Watch the trailer.

Eddington â€“ 26 March (Binge)

Eddington. Image: A24. Best New Films.
Eddington. Image: A24. Best new films.

Film (2025). Hereditary director Ari Aster muses on our apocalyptic times in this satirical neo-Western thriller set during the 2020 pandemic, where escalating political tensions pit a sheriff against the town’s mayor in a spiralling contest of ideology and power.

Starring Pedro Pascal, Joaquin Pheonix, Emma Stone, Austin Butler and Luke Grimes. Read ScreenHub’s glowing review.

The Mortuary Assistant – 27 March (Shudder and AMC+)

The Mortuary Assistant (2026). Image: Shudder. Best new films.

Film (2026). This delightfully creepy new supernatural horror is based on the best-selling indie video game of the same name.

Newly certified mortician Rebecca Owens (Arrow star Willa Holland) accepts a night shift at a mortuary, embalming bodies alone after hours. As disturbing events escalate, Rebecca uncovers demonic rituals, the dark secrets of her enigmatic mentor (Boardwalk Empire‘s Paul Sparks), and her own buried trauma – racing to survive the night before her body becomes a vessel for possession. Watch the trailer.

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Alannah Sue is a writer, editor, theatre critic and content creator with a passion for arts and culture and all that glitters. She relocated to Melbourne in 2025 after spending over a decade embedded in the Sydney arts landscape and finishing up her tenure as Arts & Culture Editor at Time Out. In addition to contributing to ArtsHub and ScreenHub, her freelance portfolio also expands to editorial and copywriting for lifestyle and arts publications such as Limelight and Urban List, cultural institutions like the Sydney Opera House, and marketing and publicity services for independent artists. She is always keen to take a chance on weird performance art, theatre of all kinds, out-of-the-box exhibitions, queer venues, and cheap Prosecco. Give her half a chance, and she will get on a soapbox when it comes to topics like the magic of musical theatre, the importance of rigorous arts criticism, and the global cultural implications of the RuPaul’s Drag Race franchise. Connect with Alannah on Instagram: @alannurgh.