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Beetlejuice Beetlejuice review: loosey-goosey, but still quite juicy
Michael Keaton and Winona Ryder enjoy themselves immensely in Beetlejuice Beetlejuice, the sequel to 1988's goth-quirk classic.
Kneecap film review: top showcase of the hip hop trio’s talents
Rich Peppiatt’s debut feature is a semi-fictionalised biopic of Belfast rappers Kneecap told in both Irish and English.
Rumours: Cate Blanchett and a really big brain
Guy Maddin's comedy satire pits hapless G7 leaders against masturbating bog people, and each other ... it's a heady brew.
I Saw The TV Glow review: it draws you in then tears you apart
I Saw The TV Glow explores the pain of hidden trans identity via an allegorical TV show obsession.
Left Write Hook review: survivor documentary stings like a bee
Donna Lyon and Shannon Owen's Australian film documents the physical and psychological healing journey of eight women who have experienced…
The Organist, film review: Australian indie leaves a bad aftertaste
Melbourne-made dark comedy The Organist has plenty of interesting ideas, but ultimately fumbles the execution.
The Blind Sea review: surfing waves without sight
Tackling the waters of Portugal's notorious Nazaré is daunting enough, but with next to no vision? Australian athlete Matt Formston…
Inside, MIFF film review: an Australian prison movie poised on perfection
Vincent Miller holds his own alongside Guy Pearce and Cosmo Jarvis in Charles Williams' incendiary feature debut.
Memoir of a Snail, MIFF review: triumph of the human thumb-print
Adam Elliot's ‘Memoir of a Snail’ is gorgeously human, wonky and life-affirming.
Flathead, MIFF review: a striking portrait of working class life
Jaydon Martin's Flathead is an unvarnished portrait of life and struggle in coastal Queensland.
