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Bob Trevino Likes It review: a wonderful debut feature destined for indie cult status
Bob Trevino Likes It (opening 20 March) draws from a painful, vulnerable place to deftly craft one of the most…
Flow review: powerful catharsis will leave you breathless in this Oscar-winning animation
Flow (in cinemas 20 March) combines award-winning animation with dialogue-free sound design to craft an emotionally moving journey that anyone…
Black Bag review: a Soderbergh spy thriller with breakneck pace
Cate Blanchett goes toe-to-toe with Michael Fassbender in Black Bag, the latest film from Steven Soderbergh.
My Melbourne film review: cultures intertwined
The new anthology film My Melbourne showcases the diversity of the Australian city and digs into its soul.
Book review: Melbourne and the Movies, Ross Campbell
A wonderfully rich treasure trove recounting the history of the silver screen in Melbourne through the eyes of a true…
Mickey 17 review: another Bong Joon-ho banger with a wonderfully wacky Pattinson
Mickey 17 lets Robert Pattinson go full weirdo in one of Bong Joon-ho's less subtle critiques of capitalism.
Nickel Boys review: the brilliant Oscar contender you won't see in Australian cinemas
Don't look away: Nickel Boys is resigned to streaming here in Australia, but it's a certified must-see on the big…
Lesbian Space Princess review: Australia's Berlinale champion shines
Australian animated feature Lesbian Space Princess won the prestigious Teddy Award at the Berlin International Film Festival.
My Queer Career: reviews of the 8 short films competing in Sydney
Explore identity and connection in 8 standout shorts at My Queer Career's 2025 competition.
Carnage for Christmas review: sleigh queens and bloody screams
You don't need a festive excuse to get into Alice Maio Mackay's Carnage for Christmas.
