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The Productivity Commission just advocated for theft – I’m f**king livid
The arts sector is united in rage at the Productivity Commission's new 'Harnessing Data' report.
Elden Ring: Nightreign is a fresh and intriguing FrankenRing
Elden Ring: Nightreign has been out for a few weeks now, and I'm still intrigued.
Why we love the escapism of apocalyptic dramas
Leave the World Behind and Paradise are among the dystopian and apocalyptic stories we flock to.
RIP Gene Hackman, who'll be remembered as one of the Hollywood greats
Will Jeffery celebrates Gene Hackman's legacy, a Hollywood great whose commanding performances left a lasting impact.
Paddington in Peru: how a little bear teaches us about kindness and family
Paddington in Peru explores themes of kindness and family in a journey to reconnect with his roots.
'Menopause madness' no more: how the change is changing on TV
We're seeing more stories about menopause on television, with stories that show greater empathy.
Would you be better off without your kids? Audrey cheekily asks the question
Audrey is a quintessentially Aussie dark comedy that questions the sacrifices of motherhood.
Woman of the Hour: reframing true crime in a post-#MeToo era
Anna Kendrick’s unflinching directorial debut, Woman of the Hour, reframes a real crime for a post-#MeToo era.
What makes a great TV kiss?
The onscreen kiss has a long and storied history, culminating in the sensual smooch on Netflix's Nobody Wants This.
Peter Weir’s The Cars That Ate Paris – a driving force in Ozploitation filmmaking
How The Cars That Ate Paris shaped Ozploitation film culture.
