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Bitches, Fierce Femmes and Molls: in praise of difficult screen women
Why are the best female characters bad girls and anti-heroes? Our report on the juiciest panel at Screen Forever.
What's on Screen: Sorry to Bother you and Widows
We are waiting for next week, but a couple of smaller pictures are well worth a visit, as the Australian…
FILM REVIEW: Sorry to Bother You - high energy audacity
An over-the-top sci-fi comedy with a pro-union message, Sorry to Bother You is an audacious take on US race relations,…
Gus Howard on Screen Forever 2018: 'Australian niche and mainstream is going wide and it pays.'
As a veteran producer, Gus Howard brought a trained, practical eye to Screen Forever 2018. Here are his general observations.
Small Screen Highlights: TV, Streaming and Podcasts
Women are fighting behind bars in Wentworth, wrestling in GLOW and swiping right on Tinder in a YouTube comedy. We…
Brief: making sense of turmoil in Chinese production market
The Chinese are pumping out new regulations about foreign workers and productions which far outstrip our domestic controls. Will it…
Review: Australia's Lost Impressionist – John Russell
Australia’s Lost Impressionist – John Russell (2017) is an enamoured documentary reminiscing on the life of an artist that time…
Bridget Ikin: interviewed in New Zealand
Bridget Ikin is a remarkable producer and we hope she inspires younger people in an industry caught between art and…
AFTRS Chief challenges sector with power of data
Data and diversity are central to the modern AFTRS approach, a long way from its modest and intuitive origins 45…
APRA/AMCOSS Screen Music Awards 2018
The Butterfly Tree, Harrow, Mystery Road and Picnic at Hanging Rock provided award-winning opportunities for fine composers.
