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Sundance wallets open for small indy pictures to sighs of relief
Let's read the Sundance sales list to work out what flies in the evolving cinema market, and who is driving…
New President for Australian Writers' Guild
Former NCIS Showrunner Shane Brennan has been elected President by the Australian Writers’ Guild’s National Executive Committee, taking over from…
What's on the big screen: Oscars runners and good indies
Some familiar titles - even Storm Boy - but The Mule, Glass and Green Book are fresh. Instant Family is…
TV Review: Sex Education
The British Netflix series marks the surprising and endearing return of teen fiction into mainstream entertainment, and Adrian Martin is…
How the broadcasters are killing the one-off documentary
As part of his Currency House Platform Paper, Sydney documentarian Tom Zubrycki reveals some hard truths about the role of…
Box Office 27 Jan 2019 as Storm Boy floats on choppy waters
A lot of diversity on our screens as the Oscar favourites have been around for a while and smaller films…
The Invisible Man: an insider's guide to being a film and TV extra
If you get noticed you haven't done your job, says our veteran extra, who gives us his Top Tips from…
Australia Day Honours 2018 - from Kylie Minogue to Bevan Lee
An unusual year as the awards went pop culture, but the modest industry toilers are there too. And an actual…
$20,000 short film prize delves into State Library NSW’s collection
A new short film prize aims to encourage film makers to engage with the past, while helping to open up…
TV Review: Tidelands is a rewarding trash-watch
The new Australian Netflix series is committed to the pursuit of visual pleasure. Mel Campbell surrenders to its siren song.
