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AIDC 2019: learning from experience at Pitch Australiana
'We went home, tightened it, practiced and practiced and practiced, and then forgot it all when we delivered it!’ -…
Film Review: Hotel Mumbai
An unforgettable movie that brings terrorism to shockingly vivid life, but needs more story-shaping.
AIDC keynote: Diane Weyermann's inside story on Participant Media
Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.
Escape from Pretoria becomes a film in South Australia
Arclight Films, MEP Capital and the South Australian Film Corporation (SAFC) today announced production has commenced on the true-life prison…
Film Review: High Life - Taboo in Space
Auteur Claire Denis' first foray into English language cinema is a cool, calm sci-fi movie almost bereft of gadgets, with…
Film Review: Reflections in the Dust
Without an an ounce of amusement, this bleak and confronting Australian film commands the audience to watch — or walk…
AIDC 2019: Lisa Jackson's First Nations VR expands future of docs
Backed by the might of the Canadian National Film Board's commitment to digital experiments, First Nations filmmaker Lisa Jackson tests…
Film Review: The Price of Everything
The battle between creativity and commerce drives this accessible state-of-play examination of the contemporary art world.
Fim Review: Wild Nights with Emily, MQFF
Emily Dickinson revisioned in lesbian comedy by Madeleine Olnek.
Captain Marvel in marvellous sector rebound: Box Office 11 March 2019
While Captain Marvel storms in, a bunch of interesting smaller pictures are hanging on. Is this both ends against a…
