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Glen Boreham: pride, fear and reflection
At the end of his tenure as chair of the Screen Australia board, Glen Boreham reflects on pride, fear, and…
Skip Ahead: groups announced for Youtube-Scroz digital co-pro
Screen Australia has announced the five online production groups who will share in the $400,000 production pot, and work in…
AIDC 2014: meet Netflix's little government friend, AUZflix
Are sales agents and distributors partners or parasites? Adam Smith has a special disintermediation ray which will blast us all…
AIDC 2014: ABC storms digital frontiers with i-View triumphant
The rise of the web has put the ABC in a unique but uncomfortable position, in which it can use…
Foxtel and Freeview: a tale of two digital grabs
Big moment for Foxtel as it tries to redefine itself with new content provision mechanisms. Meanwhile, Freeview+ gets an outing…
VFX: US industry accuses rest of VFX world of causing downfall
The increasing rage expressed by American VFX workers about the loss of some key companies and a lot of work…
Drew Berry and animation: wonder, magnified a billion times
Drew Berry is an extraordinary animator, who works among leading scientists, exploits new forms of projection, and creates accessible animation…
Copyright reform proposals: industry prepares for year of the Taipan
Senator George Brandis has now tabled the final recommendations of The Australian Law Reform Commission enquiry into copyright law reform,…
EU Study: a different take on film audiences, access to screen and piracy
The European Commission has published a study into audience behaviour across the cultures in the expanding digital age. It chides…
Playpen: Anything is possible with a parachute
A metaphor for taking risks? A reminder that our vision exceeds our skills? No, just something that made your editor…
