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Whitlam: the power of inspiration
Attitudes to the arts were among the many things that changed under the leadership of Gough Whitlam, who died today…
3D: why are Australian audiences so grumpy about 3D?
Research into Australian attitudes to 3D identifies our audiences as some of the least positive about 3D in the developed…
Box Office: inching forward, bowing to Gone Girl
The week ending 13 October 2014 will not go down as the moment when anyone in exhibition got suddenly rich.…
Deluxe: cold logic behind the Heartbeat Fund
Alaric McAusland has committed Deluxe Australia to a clearer investment and sponsorship strategy. Vision in a Heartbeat.
Box Office: tatty spring with jewels in the growing corn
The Australian films now set a challenge - how to find the films we forgot to see before they blink…
Antenna: choose your own form of resistance
With 33 contemporary long form documentaries, three classics, a retrospective and a bent stage presentation, the Antenna Documentary Festival has…
Korean MOU: a dance, a deal and a descending lifeline
We sign an MOU, everybody gets a souvenir pen, and the sector opens a door to an extraordinary culture.
Box Office: Sex doesn't always sell
This week's story is about trundling, as Australian films plod on through the afternoon sun, yarning to strangers...
Which city has the best film festival?
Who has more films? Bigger audiences? Better curation? Important premieres? ArtsHub's guide to everything you need to know Australian film…
Screen Forever: key names for 2014
More or less pinned down by meetings, SPA always has a lolly bag of overseas delegates for the market strand.…
