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Oscars: Australia won. Yes. Definitely.
In our own little national battle to prefigure the Oscar results, our mighty land was surprisingly successful.
AIDC/NET-WORK-PLAY: Thom Powers into an overview
Thom Powers, key North American cinema documentary curator, kicked off the conference with his own vast POV.
Net-work-play: launched with affection and a touch of contradiction
The launch of the 2015 gathering of the documentary clans turned into intense speeches, heartfelt thanks and a celebration of…
Super-commuters go the distance for arts jobs
Arts jobs are so sought-after some people travel two or three hours a day or take a monthly 20-hour flight…
How to sell yourself
In Australia, we're not so skilled at telling others how great we are. But as artists, musicians or creative practitioners,…
AIDC/NET-WORK-PLAY: the future is happening all the time
On the edge of leaving, Joost den Hartog reflects on the issues driving his approach to the AIDC.
What business models work for creatives?
When it comes to raising resources to fund creative work, if copyright is now a dud, what business models can…
Women in Horror: who is horror for?
Women have been involved in the production of horror for a long time, and are only getting more determined to…
Untangling the enigma of audiences choices
You already know the demography of your audiences but do you understand why it is skewed? The equation is complex.
AIDC/NET-WORK-PLAY: floats babies across the waters
What is really different? What is really the same? The documentary movement in Australia picks its way through uncomfortable changes.
