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Screen Australia board sorted

After the Ghost Times, when it hardly had a board at all, Screen Australia now has the full functioning thing.…

Features

I want to dance better with VR

Virtual reality enables the audience perspective to leave the stalls and become part of the action in a boundary-smashing collaboration…

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How chilling out led to an Oscar nomination

Bentley Dean talks about how the film Tanna came together. Pigs and kava were involved.

Features

AIDC 2017: the inner game on the festival circuit

US producer Amy Hobby provides a wealth of experience about the changing landscape of festivals, and the tools to fight…

Features

Box Office 14 March 2017 - Lion in serious triumph territory

At $156m, Lion has now beaten Hacksaw Ridge's $150m around the world - if we leave out China where it…

Features

AIDC 2017 - Graeme Mason on the right place, at the right time

The annual speech from Screen Australia at AIDC is a chance to reflect on both the business and the state…

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David Stratton: a cinematic life - the nuts and bolts of a complex meditation

Not just a fascinating look a Australia's cinema, the David Stratton film confronted daunting script and structural problems.

Features

What makes Australian films succeed in the marketplace? Try dag factor

Screen Australia releases important analysis on the key factors which link successful Australian films in the marketplace. Hint: it's not…

Features

What's On: Jasper Jones + Oscar films + Joel Pearlman + Super 8

A wealth of fabulous, modest films race out after the Oscars, along with Jasper Jones and David Stratton.

Features

Oscars 2017 - memories of a week of waiting

Tania Nehme, the editor of Tanna, sent a lovely email to friends last week about LA just before the Oscars.

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