Oleg Vidov: how an Australian director’s film touched the Moscow Film Festival

Oleg Vidov, Russian metinee idol, fugitive and Los Angeles animation distributor, is the subject of Nadia Tass's feature documentary.
Oleg vidov

For screen creators and cineastes, watching films from countries with alien ideologies is either fascinating or disgusting. The Nazi feature films of the 1930’s are crimes against humanity.

He said no, Natalia was obsessively competitive with Galena, his marriage collapsed, his nomenklatura relatives turned on him and his career went down the toilet. From now on, he was in survival mode, even though he accumulated around thirty films behind the Iron Curtain. Ride-em Comrade Cowboy. (He was in good films as well). 

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.