AIDC 2013: Digital Distribution, a complex way to make money

Digital distribution is the great hope for many filmmakers - a way to get material out into the world, either as a sole strategy, or as part of a hybrid or traditional distribution model. It's just a
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Digital distribution is the great hope for many filmmakers – a way to get material out into the world, either as a sole strategy, or as part of a hybrid or traditional distribution model. It’s just a hell of a lot more complicated than it looks.

Tim Sparke, CEO of Mercury Media International, subtitled his talk Digital Distribution in a Traditional Market at this year’s AIDC with “Only for the Brave?” It is certainly a brave new world for filmmakers, with distribution possibilities popping up like mushrooms, and with a few dominant players emerging in certain markets. This is the context within in which your distribution decisions must now be made.

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Andrew Einspruch
About the Author
Andrew Einspruch has covered many conferences for Screenhub. His family production company has evolved into the story studio Wild Pure Heart, which is a vehicle for writing projects like his award winning humorous fantasy series, The Western Lands and All That Really Matters. He also helps to run a rescue farm and freelances as a technical writer.