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Eight radical ways to change arts funding
Were any arts funding bodies or philanthropists brave enough to implement these suggestions from the US they might come close…
The evolving role of the critic
Demon? Angel? Tired victims of change? MIFF unleashes formidable talent to explore the evolving role of the critic in the…
The secret love affair between pirates and creators
New research and a new lobby group in the screen sector rewrites the playbook on the approach to piracy.
Low budget cinema? Just not greedy
Thrifty veteran filmmaker Paul Cox says he doesn't make low budget films. He is simply responsible and happy to undermine…
Box Office for weekend of 9 August 2015
Australia catches a taxi to the suburban multiplexes as Icon holds the map.
Working in Asia: A different sense of space
Appropriate museum display of Asian art requires an understanding of Eastern philosophy.
Rise of the robot actor, crouching in your telephone
You want to sell your script? Leave it to your robot minions.
Documentary Ethics: a window into extremity
OzDocs explores documentary ethics and puts the lot on Youtube, creating a kind of documentary in itself.
Books at MIFF: how The Dressmaker was adapted into a film starring Kate Winslet
The film of Rosalie Ham’s 2000 novel The Dressmaker will gain greater recognition for the author. EPA/TAL COHEN The Books at MIFF event…
MIFF 2015: 370 worlds cast loose on darkened city
The Melbourne International Film Festival launches immediately into deep stuff and defiant purity. Paul Cox takes the screen.
