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AIDC 2016 - Social Impact Film in an Age of Austerity
Jennifer MacArthur's keynote headlined the Impact Day, which explored the notion of impact producer in detail.
AIDC 2016 - growing cinema audiences for documentary features
Cinema on demand is proving itself as the genie in the lamp for big screen documentary release, one leaping frog…
What do Mad Max's six Oscars mean for the Australian film industry?
The answer to that question depends on how you think Dr George Miller fits into the Australian industry. Outlaw hero,…
Screen Producers Australia - kitemark to calm combatants
Credits are a very important form of display for filmmakers, and SPA is trying to create a reliable system of…
Oscars 2016 - final notes from ScreenHub as Beavan triumphs
Technical triumph for Fury Road, in categories that don't figure in the main betting lists.
Oscars - there is no justice
It could be a while before we see such a close run thing for major awards by an Australian film.…
AIDC 2016: the fine art of surviving terrorised financiers
Production crises make for good stories, but we don't normally think of the bankers. John Smithson describes the contract crisis…
Magnus Temple, reality TV and a better view of humanity
While so much true life large scale filmmaking wallows in exploitation, Magnus Temple makes tender series about ordinary people and…
Box Office 21 Feb 2016 - in which we love our Deadpool
45 years, Concussion and Risen appear, while the twisting psyche of Deadpool turns out to be much more loveable than…
Sexist screen representations of women start in the script
Presenting well-rounded female characters on screen begins with changing the often desultory way they're written.
