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SPA nominates its favourite feature production companies and projects for 2018
The Screen Producers Australia Awards focus on the most mysterious category of all - the behaviour of producers. What does…
Box Office 20 August 2018 - depressed carnivore deep in the Doldrums
Shark movie triumphant? Not exactly. Theory is that it lacks gore because it had to be kept as a PG…
Cinefest Oz: a hundred thou in the balance
Cinefest Oz is just five days away, and four teams and four teams will be sweating out their head to…
What's on Screen? 16 August 2018 brings Ultimate Shark Screamer
All restraint gone as The Meg treats audiences like a cloud of burley in an underwater multiplex. Also, for the…
Country Roads: a regional pathway to directing with The Merger's Mark Grentell
Mark Grentell didn't go to film school, but teaching drama to kids and directing musical theatre in country NSW gave…
AACTAs reveal the respectable face of Australian cinema
The bigger budget contestants at the AFI/AACTAs for 2018 are a varied bunch. The old cliche of sad films is…
AACTA trips over definition of Australian film
AACTA observers quickly pointed out some cuckoos in the Australian film nest. But the problem is not what it seems.
Box Office 13 August - midwinter box office blahs follow usual pattern
Australian audiences have turned away from winsome NZ bubble of cynicism The Breaker Upperers. How dare we!
Pirates, streaming, dubbing, Korean ascendancy - the Asian market bubbles
Asian screen lobby group reveals the nuts and bolts of the evolving market, particularly in South East Asia.
What's On Screen? 9 August 2018 - The Living Universe, the Breaker Upperers and good festy fare.
Two festivals, from India and Turkey, compete with MIFF while Australian mega-doc about interstellar travel, The Living Universe, has a…
