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Berlinale 2019: Australian filmmakers go global to stay global
Soaked in the authentic gravity of German audiences on Potsdamerplatz, Sarah Ward assesses the Australian impact in 2019.
Producing for the Screen - initiating the emerging producer
Most producing handbooks are cures for insomnia. This one is lively, local and clear as it shares key information between…
The Five Provocations: Interview with Angie Black
Drawing inspiration from Miranda July and Mike Leigh, experimental filmmaker Angie Black discusses her improvisational processes and the importance of…
Box Office: Alita is a savage angel while What Men Want has viewers intrigued
A slow weekend as fans wait breathlessly for the Oscars next Monday. Alita is the only really big, noisy English…
Big Screen Highlights - Beale Street does romantic drama in a list for all tastes
These Valentine releases celebrate lovers of love, black comedy, grim hope, frozen horizons, fake physics and simple gore.
Dark Delights: Melbourne Women in Film Festival
Looking back and looking forwards, this young festival celebrates the achievements of Australian women in film.
Neil Peplow to leave AFTRS
The AFTRS CEO Neil Peplow will leave in the middle of 2019 to return to London.
AIDC 2019 - program out, change and excitement all around
'We are just settled after a time of digital disruption. It is not the end of the world. Where to…
Box Office: Wandering Earth, Storm Boy and a collapsing market (for now)
The latest Chinese success story is doing gobsmacking numbers per cinema here and is unnoticed in the US.
Our favourite Ozsters heading for the Big O?
The Academy is now voting for The Oscars. The Australians are hoping they go for verve rather than strictly conventional…
