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R100
What keeps R100 moving is its sense of dread, as everyone waits to see what the next segment entails.
Brief: The Giver arrives a month late
Phil Noyce's sci-fi vehicle The Giver is not out of the woods in the US and the Australian figures aren't…
The Way He Looks
Sincere performances assist in navigating what could have proven a routine adolescent offering.
I Can Quit Whenever I Want
The film probes European society’s new strata of over-educated, under-employed as it amusingly steps through the get-rich-quick solution du jour.
Legal Essentials, Developing Your TV Idea & Interview Skills @ AFTRS Open
There are still a few places in this weekend’s Sydney courses: LEGAL ESSENTIALS FOR FILM & TV and DEVELOPING &…
Brief: Industry shows on ABC
In an odd moment of productive narcissism, the ABC and its trusty iView has two separate programs for industry history…
Historic collections could be lost to ‘digital dinosaurs’
Australian’s cultural institutions must adopt more of a digital strategy if they are to remain relevant with audiences.
Playpen: 20,000 Days on Earth
Nick Cave and Kylie Minogue performed together for 20,000 Days on Earth, but it was left out of the film...
2014 Screen Music Awards: back, with Rob Carlton
The SCREEN MUSIC AWARDS will return with new host Rob Carlton and celebrated music director Ashley Irwin.
Sin City: A Dame to Kill For
With nothing more to develop in old protagonists and little flesh given to new figures, hostility and misogyny become the…