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Barbie and the Naked Minotaur
To love Barbie, or hate her? To cherish her, or destroy her? Silvi Vann-Wall asks the important questions about the…
What to watch: Red, White & Brass in cinemas
Red, White & Brass is the latest entry in a long line of musical underdog films – and it's worth…
The Wicker Man: lessons in becoming a cult classic
When The Wicker Man first came out, the studio tried to bury it – but now it's cult classic. Gill…
Suzume by Makoto Shinkai explores the impacts of trauma
Makoto Shinka's Suzume draws on memories of Japan's natural disasters and blends it with coming-of-age tenderness.
Meet the real man who inspired Russell Crowe's The Pope’s Exorcist
The Pope's Exorcist, starring Russell Crowe, is in cinemas now – and it's based on the life of exorcist Father…
EO: how Jerzy Skolimowski's film makes us empathise with a donkey
The latest flick from Polish director Skolimowski is all about a donkey named EO: an animal that cannot speak, but…
Everything Everywhere All At Once in three key scenes
The genre-bending Everything Everywhere All at Once made awards history this week – here are three (of many) reasons why.
We Are Still Here: as an Aboriginal person, I’m grateful this film exists
Made up of eight short and interweaving films by First Nations filmmakers, We Are Still Here shifts the dial on…
Why is Austin Butler still speaking in his Elvis voice?
A little less conversation and a little more action may be needed for actor Austin Butler to overcome his 'role…
Love Actually – I've finally watched it and uggghhhh
ScreenHub's film afficionado watches Love Actually for the first time, and much cringing ensues.
