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Australian TV drama on the ropes says QUT study
Australians aren't getting cultural value for the money we're spending on 'local' TV drama, says a new report.
Bridgerton Season 3 – all the usual froth, but with a more mature edge
Bridgerton's third season has arrived on Netflix – and this time it's got an edge.
No bad accents in Apple's Acapulco: why multilingual TV is good for everyone
Acapulco on Apple TV+ being just one example, over-the-top accents are out and authenticity is in.
What to watch this week on streaming: the shows we love (or not) right now
Streaming options got you spoiled for choice? ScreenHub staff Silvi Vann-Wall and Rochelle Siemienowicz share their viewing – the good,…
Real comedy, real trauma: how Baby Reindeer and Feel Good are forging a new TV genre
A new generation of comedians are adapting their traumatic experiences for dark comedy.
Fallout on Prime incorporates the best elements of gameplay
Fallout the series adapts the game to satisfy fans, while offering a great standalone story for newcomers.
Baby Reindeer on Netflix: a look at male sexual victimisation
The new Netflix hit sheds light on the often overlooked male experiences of sexual violence.
Is Tom Ripley gay? Netflix's adaptation keeps it ambiguous
The Ripley villain in the Netflix series is just as unknowable as Patricia Highsmith wrote him.
The Gentlemen on Netflix: why do ‘gentlemen’ still fascinate us?
Guy Ritchie's latest crime series draws on a powerful male archetype. Psychology explains how it works.
Disney+: Shōgun reimagines 1980 series for a new generation of viewers
From novel to 1980s miniseries, and now a prestige remake for FX and Disney+, Shōgun has had quite the journey.
