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Barbie and the Naked Minotaur
To love Barbie, or hate her? To cherish her, or destroy her? Silvi Vann-Wall asks the important questions about the…
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What to watch: Red, White & Brass in cinemas
Red, White & Brass is the latest entry in a long line of musical underdog films – and it's worth…
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The Wicker Man: lessons in becoming a cult classic
When The Wicker Man first came out, the studio tried to bury it – but now it's cult classic. Gill…
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Suzume by Makoto Shinkai explores the impacts of trauma
Makoto Shinka's Suzume draws on memories of Japan's natural disasters and blends it with coming-of-age tenderness.
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Meet the real man who inspired Russell Crowe's The Pope’s Exorcist
The Pope's Exorcist, starring Russell Crowe, is in cinemas now – and it's based on the life of exorcist Father…
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EO: how Jerzy Skolimowski's film makes us empathise with a donkey
The latest flick from Polish director Skolimowski is all about a donkey named EO: an animal that cannot speak, but…
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Everything Everywhere All At Once in three key scenes
The genre-bending Everything Everywhere All at Once made awards history this week – here are three (of many) reasons why.
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We Are Still Here: as an Aboriginal person, I’m grateful this film exists
Made up of eight short and interweaving films by First Nations filmmakers, We Are Still Here shifts the dial on…
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Why is Austin Butler still speaking in his Elvis voice?
A little less conversation and a little more action may be needed for actor Austin Butler to overcome his 'role…
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Love Actually – I've finally watched it and uggghhhh
ScreenHub's film afficionado watches Love Actually for the first time, and much cringing ensues.