Professional Development
Want to be a TV and film extra? 'There aren’t many skills required'
If you don't mind waiting around a lot, being an extra on set can be an interesting experience.
How stories shape the world (and how to get better at telling them)
Storytelling, and helping other people hone their storytelling skills, are enormously important for Joe Hepworth, NIDA’s new Head of Writing…
So you want my screen job: Brett Aplin, composer
Meet Brett Aplin, the film and television composer whose credits include The Gloaming, Ms Fisher’s Modern Murder Mysteries and James…
NFTs: The Pros and Cons
While the media has been full of opinions on NFTs and their recent stratospheric rise – we take a look…
Ask the Mentor: I've forgotten how to network in real life
Online conferences were great for shy people, but now in-person events are back. Brush up on your social skills and…
‘We're tradies too!’ Melbourne's photography industry demands to return to work
The Commercial Photography Industry has petitioned the VIC Government under the placard ‘We are tradies too’, in a desperate plea…
Technology is the frontline of access to enable storytelling
London artist and technologist Jane Gauntlett will give the keynote at Meeting Place 2020, Arts Access Australia’s forum on Creating…
Ask the Mentor: Should I reinvent myself in my 50s?
Media Mentor Esther Coleman-Hawkins answers your career questions with brisk no-nonsense advice for screen professionals.
Global screen industry grinds back into gear
Big gestures are being made around the world to get the studios humming but what how is the rest of…
Artists Essentials Toolkit video #1: how to get your art online
In our new video series we look at getting started with your online presence from a blog to websites to…