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Joker: Folie à Deux review: the joke's on us
Joker: Folie à Deux lacks impact, mixing dull courtroom drama with half-hearted musical numbers.
Megalopolis review: a bizarre, overstuffed nightmare
Megalopolis fuses 1980s urban maximalism with Ancient Rome cosplay for a mad, overstuffed cinema experience.
Runt review: rollicking family fun
H is For Happiness director John Sheedy delivers an adventure deserving of appawse.
The Paradise of Thorns review: deep in the weeds
The Paradise of Thorns follows a gay couple's battle for recognition in the face of unfair Thai marriage laws.
My Old Ass review: laughs and tears at the joy and pain of youth
Nostalgia and growing pains combine to great effect in Megan Park's My Old Ass, starring Aubrey Plaza and Maisy Stella.
The Substance, Demi Moore, review: hagsploitation gets a facelift
With her reimagining of a niche subgenre, Coralie Fargeat builds on a rich film tradition that reckons violently with the…
Beetlejuice Beetlejuice review: loosey-goosey, but still quite juicy
Michael Keaton and Winona Ryder enjoy themselves immensely in Beetlejuice Beetlejuice, the sequel to 1988's goth-quirk classic.
Kneecap film review: top showcase of the hip hop trio’s talents
Rich Peppiatt’s debut feature is a semi-fictionalised biopic of Belfast rappers Kneecap told in both Irish and English.
Rumours: Cate Blanchett and a really big brain
Guy Maddin's comedy satire pits hapless G7 leaders against masturbating bog people, and each other ... it's a heady brew.
I Saw The TV Glow review: it draws you in then tears you apart
I Saw The TV Glow explores the pain of hidden trans identity via an allegorical TV show obsession.
