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T-Blockers review: body horror and the trans experience

With delicious body horror, vibrant colour aesthetics, and layers-upon-layers of metatext, T-Blockers achieves something amazing with its tiny budget.

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Lyd review: a must-see Palestinian documentary

Lyd is the story of a city that once connected Palestine to the world – and what it could have…

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You'll Never Find Me review: Australian nerve-fraying horror

A barefoot young woman knocks on a caravan door in the dead of night, setting the scene for skin-crawling tension.

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How to Have Sex review: a murky, affecting coming of age

Molly Manning Walker's debut coming-of-age feature is a nuanced look at rites of passage and consent.

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Dune Part Two review: stunning and weird

Dune Part Two is an epic space opera that delivers on the promises made by the first film – and…

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The Rooster review: Hugo Weaving and Phoenix Raei tussle in the woods in startling debut

In debut feature The Rooster, writer/director Mark Leonard Winter explores wounded masculinity mired in the mud.

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Drive-Away Dolls review: an uproarious sapphic odyssey

The new film by Ethan Coen is a smart, sexy comedy that gets funnier and filthier with every frame.

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Madame Web review: like dropping a Golden Orb Weaver down your shirt

Her web connects everyone ... but for what purpose? Sony fumbles another Marvel property with Madame Web.

A woman with red hair and a man with grey hair stand in a dense, foggy rainforest.
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Force of Nature: The Dry 2 review – no damp squib

The return of detective Aaron Falk offers plenty of mystery – and rain – but fails to hit the heights…

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Priscilla review: top performances in imperfect film

Cailee Spaeny and Australian actor Jacob Elordi shine in Sofia Coppola's biopic of Priscilla Presley.

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