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A smiling woman gets close to a smiling but nervous-looking man's face on public transport, IN Baby reindeer on Netflix.
Opinions & Analysis

Baby Reindeer on Netflix: a look at male sexual victimisation

The new Netflix hit sheds light on the often overlooked male experiences of sexual violence.

Andrew Scott in Ripley. Image: Netflix.
Opinions & Analysis

Is Tom Ripley gay? Netflix's adaptation keeps it ambiguous

The Ripley villain in the Netflix series is just as unknowable as Patricia Highsmith wrote him.

Opinions & Analysis

The Gentlemen on Netflix: why do ‘gentlemen’ still fascinate us?

Guy Ritchie's latest crime series draws on a powerful male archetype. Psychology explains how it works.

Opinions & Analysis

Disney+: Shōgun reimagines 1980 series for a new generation of viewers

From novel to 1980s miniseries, and now a prestige remake for FX and Disney+, Shōgun has had quite the journey.

Opinions & Analysis

Why Australians love going to the cinema

'I love the cinema experience. It’s a bonding experience, if it’s good it’s an emotional and cathartic experience.'

Opinions & Analysis

Couple to Throuple: polyamory is primed for mainstream TV

Promising three times the fun, feelings and drama, what can we expect from this dating series flirting with non-monogamy?

Opinions & Analysis

Studying two decades of queer representation on Australian TV

Gender-diverse and sexually-diverse stories in Australian TV have changed a lot over two decades.

Opinions & Analysis

Four Daughters is a Tunisian masterpiece – what makes the film groundbreaking?

Delve into the story behind Four Daughters – a critically lauded documentary about a family versus an extremist group.

Opinions & Analysis

Anatomy of a Fall is a critique of anti-feminist backlash

With sexism on the rise in France, Anatomy of a Fall examines the role of motherhood and domestic labour in…

Opinions & Analysis

The Zone of Interest: new Holocaust film powerfully lays bare the mechanisms of genocide

The Zone of Interest uses alienation from its central horror to make it one of the most unsettling holocaust films…

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