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Disney has announced a new streaming platform, Disney+, and Australia will be one of its first customers.
As action goes, the Fallen series has shot, stabbed and belted its way into the hearts of cinema goers and fictional presidents but this time it's personal.
This is a highlights reel for the ages, with offerings of rare archival footage, comforting faves and a mobile world-first.
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
Phoebe Waller-Bridge's writing on Fleabag is as formally intriguing as it is emotionally complex.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
Opinions & Analysis
Croser will take on a 3-year contract as Chief Executive at SA Film Corp, at an exciting time for the state's screen industries.
While Australian film and television may be dominated by people of Anglo backgrounds, Jackie Bailey argues that we could be telling diaspora stories and finding bigger audiences.
Heperi Mita's directorial debut celebrates his mother's unsung legacy of bringing Indigenous stories to the screen.
Three exhibitions at Koorie Heritage Trust examine the art of cartography, Blak cinema, and contemporary adornment.
The games unionisation movement is kicking off worldwide so what's holding Australian game devs back?
MIFF Critics Campus coordinator Luke Goodsell talks about Rotten Tomatoes, the future of film criticism and how the program for emerging critics has evolved.
Avid cinephile Faith Everard revelled in killer dresses, lesbian S&M and folk revenge at this year's Melbourne Film Fest.
The epic novel by Gregory David Roberts will film in Victoria in October for Apple TV, with Justin Kurzel directing.
A surreal, visually arresting meditation on the future of our planet.
Once Upon a Time... in Hollywood is this week's big draw, Midsommar scares up fans and MIFF lingers.
Funny, textured and nostalgic, Tarantino's ninth film gives us characters we want to hang out with, writes Anthony Morris.
Serge Ou's documentary unearths another unhinged history of a sub-genre that bypassed good taste, writes Glenn Dunks.
Van Grinsven's confident debut, an AFTRS Masters project and SFF audience award winner, is an evocative portrait of contemporary queerness delighting in its sexuality.
Palm Beach and Danger Close open wide, and little horror sensation Midsommar tops limited release.
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