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Screenhub revels in the annual Screen Music Awards because the creators are challenged to be daring, to search the world for the rights sounds, and open themselves to such interesting emotions.
A turn to older audiences underlies Rams, and gives a bit of bite to some imported flicks as well, as we get some US Hulu releases in our cinemas.
Our democratic hearts would love to see a broad sprinkling of glory but two productions dominated. All the winners are listed here and congratulations to them.
Sustaining the highest sound and post production quality is a kind of religion, and its Sydney temple is under new management.
Asia Pacific Screen Awards went to Thai creative producer Soros Sukhum, young Indian filmmaker Akshay Indikar, and a special mention for Australia's High Ground.
It's back to the future as the government lays out plans for two new media sector support funds, extracting cash from the streaming companies, and nagging the government broadcasters. All without paying for it.
Powerful white men will continue to dominate unless there’s a real revolution for diversity in our media, argues Cross-Cultural Consultant Tasneem Chopra OAM.
Opinions & Analysis
Wringing blood from the budget stone the public broadcasters lay out their wares for the year ahead. Our fortnightly round-up of news, interviews and opinions from Australian film, TV and games.
Documenting the 14-year campaign for women's jobs in Wollongong, Robynne Murphy's film honours dogged perseverance and collective activism.
Combine the strange rules of screen production research with a pandemic and the resulting space-time ruckus is a true headache. We suffer so you don't have to.
Hear the rumbles across the bridge to tomorrow? It is Screen Forever rolling out its first international mega-guests.
Violence in Central Africa is so bound up with the minerals used in consumer tech, some call it the PlayStation War. Here are Sony, Nintendo, and Microsoft's annual reports on their conflict minerals supply chains.
Rams is speeding away to be the most successful domestic film of the year as Peter Rabbit thumps off to March next year.
Our online conference will make sense of 2020 and think through the arts as an essential part of the ‘new normal’. With guests from across Australia we look at funding, culturally safe spaces, and digital as a way to expand access.
Bird's Eye View, a docu-series about women in a Darwin correctional centre won Podcast of the Year; Schwartz Media's 7am took best newcomer, and some ex Bachelor contestants won audience fave.
RMIT’s Capitol Theatre presented another online shared-while-apart cinematic experience with a screening of Spaceship Earth.
Behind the recent Film Victoria $33.8M incentive announcements is a genteel rethink of the whole organisation. Double the games support, ecosystem thinking, and a low budget feature strand are in play.
As times change against the culture warriors, a very different Australia is crowding into our stories. It can be funny, scary, whimsical, challenging, mystical and plain shame-making – but always part of us.
Artists are hosting incredible digital events through Animal Crossing: New Horizons, in a time when COVID-19 made meeting in person impossible.
Fake regulations, or an act of mercy to beleaguered broadcasters – either way, the game is over, for now.
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