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Showing all Film news in Reviews
A film screening, a follow-up in-depth conversation and a masterclass make for much (remotely experienced) fun.
Avoiding politics and preceding the plague, this wacky reboot is nevertheless a film for this moment, argues Adrian Martin.
John Wood's autobiography is written with great warmth and passion, acknowledging the transitory essence of the theatre world.
Kriv Stenders' insightful and entertaining documentary places Joy McKean in her rightful place centre stage, says Anthony Morris.
Unjo Moon's debut feature has profound affection for its subject but the script could have done so much more, argues Mel Campbell.
Monica Zanetti’s queer coming out comedy has echoes of Australian high-concept teen classics. It's a refreshing crowd-pleaser, says Glenn Dunks.
Told through songlines and stories, this response to the colonial celebration of Captain Cook is passionate and affirming, writes First Nations author and poet Vika Mana.
It's not breaking ground but this NZ crime caper comedy has charm and energy, and Rebecca Gibney as a great villain.
The made-in-Melbourne tale of terror on the high seas is stronger on atmosphere than genuine fear, but genre fans will enjoy the voyage.
This stage play adaptation is a far cry from your typical YA love story, writes Mel Campbell.
For reviewer Anthony Morris, the Paul Hogan comedy makes a series of bizarre and problematic choices that don't add up to much.
Natalie Erika James' directorial debut will resonate with anyone who’s witnessed human frailty at confrontingly close quarters.
A drunken Australian step-cousin of 1970s European and American cinema, Parish Malfitano's debut is a rich minestrone stew of cinephilic allusions.
Lee's latest genre satire takes a complex look at masculinity, violence, fellowship, colonialism, and racial exploitation.
A richly social film that doesn't lose sight of the darkness beneath a friendship.
Billed as America's most controversial film, the Blumhouse social thriller spreads its bile on an equal opportunity basis.
Writer/director Miranda Nation swims through the choppy waters of gender with this psychological thriller.
It's not a prestige drama or an outright parody, which makes critical assessment tricky, says Mel Campbell.
First-time filmmaker Hamish Bennett has created a gently humorous story about finding strength in yourself through those around you.
Director Kasimir Burgess creates a surprising portrait of the controversial but celebrated cartoonist.
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