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Showing all Film news in Reviews
Writer/director Miranda Nation swims through the choppy waters of gender with this psychological thriller.
It's not a prestige drama or an outright parody, which makes critical assessment tricky, says Mel Campbell.
First-time filmmaker Hamish Bennett has created a gently humorous story about finding strength in yourself through those around you.
Director Kasimir Burgess creates a surprising portrait of the controversial but celebrated cartoonist.
Refreshingly earnest, this warm and playful family film caught critic Mel Campbell by surprise.
A lifelong fan of Terrence Malick, Adrian Martin considers deeply his latest film and the stylistic tendencies of this auteur.
The gentle art of family films is deployed by Steve Worland who wrote Paper Planes and director Owen Trevor who made a lot of Top Gear.
Despite casting qualms, this version is both a beautiful Christmas bonbon and a witty warning against sentimentality.
Scorsese's latest is a paradoxical object – and not just because of its digitally de-aged cast, writes Adrian Martin.
It might not be groundbreaking, but this doco has the right kind of swagger and charm to pay tribute to the woman at its core.
Adam Driver leads a star-studded cast in this tense deep dive into the CIA's history of torture tactics.
Emu Runner is a quiet film of a child dealing with grief and her bond with the emu, nguri told with the Ngemba girl from Brewarrina in NSW.
Mirrah Foulkes' delightfully dark feature film debut gives a feminist twist twist to the squabbling sideshow couple.
Australian feminist horror anthology: from giggles to shivers in a scream of dark joy.
Lupita Nyong'o shines in a film that has Anthony Morris asking: maybe the real zombies were the tropes we revived along the way?
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Happy Sad Man's tiny team have accomplished something major in this understated documentary.
With Joel Edgerton, Ben Mendelsohn and Timothy Chalamet, David Michôd's loose version of Shakespeare's Henriad should be more epic or more fun.
After the Wedding has a small release but deserves to find an audience which enjoys fine actors subtly hacking each other up with backdrops to die for.
This Italo-Australian romantic drama is sincerely charming, but does that make up for its lack of sophistication?
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