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Showing all Film news in Reviews
In the age of #MeToo, Ivo van Hove’s adaptation of the Hollywood classic feels dated despite splendid performances.
Fighting a tide of respectful reviews, Adrian Martin finds much to loathe in this historical epic, including 'one of the worst directed action sequences in cinema history.'
Keanu Reeves brings soulful gravity to this consistently thrilling ballet of blood.
An unashamed farce, this female-led update of Dirty Rotten Scoundrels makes the most of Rebel Wilson's crass persona.
Bringing the video game of the same name to the screen, this all-ages adventure serves up anarchic fun.
An intriguing amalgam of arthouse and pop genre impulses, this French zombie film exemplifies a worldwide trend- with mixed results.
Netflix's Ted Bundy film conveys the superficial charm of the serial killer, but doesn't go much deeper.
Charlize Theron and Seth Rogen are a perfect match in a smart rom-com that's retro in all the right ways.
In a culture full of clashing politics, this warm inclusive homecoming comedy feels radical, says Mel Campbell.
Big in scale and emotion, this eagerly awaited sequel to Infinity War packs a sizeable (but safe) punch.
Sebastián Lelo's remake of his 2013 film is lighter, funnier and more subtle in its depiction of a woman's mid-life search for love.
Australian auteurs relish Tropic Gothic as it confronts flesh, memory and the blurred promises of sexuality. Adrian Martin examines Celeste and the work of Ben Hackworth.
Adrian Martin takes us into the cinematic joys and fumbles of Burning, and its icy cumulative drama created by ambiguity and unnerving doubt.
Rebooting this comic book hero proves an underdone, overblown slog.
Christian Petzold's stripped back melodrama takes not the slightest effort to recreate its World War II setting, yet it's all the more politically potent for that fact.
An ambitious and intoxicating trip into Tinseltown from the director who gave us 'It Follows'.
Woman at War has an underground reputation among festival goers who saw it by accident. They are universally delighted. So is our reviewer Mel Campbell.
At its best when it’s getting goofy, this all-ages DC superhero effort just can’t maintain its spark.
The famous outlaws hardly get a single close-up in this fascinating study of the rangers brought out of retirement to track them down.
This World War II drama turns a distinctive slice of history into a clichéd and problematic love story.
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