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Showing all news in Reviews
Upright is such a developed and fully-formed work, writes Chris Boyd, it’s hard to believe it’s not an adaptation of a grand work.
Scorsese's latest is a paradoxical object – and not just because of its digitally de-aged cast, writes Adrian Martin.
It might not be groundbreaking, but this doco has the right kind of swagger and charm to pay tribute to the woman at its core.
The amiable mates follow their reliable recipe for spontaneous comedy.
Adam Driver leads a star-studded cast in this tense deep dive into the CIA's history of torture tactics.
Emu Runner is a quiet film of a child dealing with grief and her bond with the emu, nguri told with the Ngemba girl from Brewarrina in NSW.
You’ve got to be doing something right to keep a comedy series going on Australian television for almost 20 years.
Mirrah Foulkes' delightfully dark feature film debut gives a feminist twist twist to the squabbling sideshow couple.
Australian feminist horror anthology: from giggles to shivers in a scream of dark joy.
Lupita Nyong'o shines in a film that has Anthony Morris asking: maybe the real zombies were the tropes we revived along the way?
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Happy Sad Man's tiny team have accomplished something major in this understated documentary.
With Joel Edgerton, Ben Mendelsohn and Timothy Chalamet, David Michôd's loose version of Shakespeare's Henriad should be more epic or more fun.
After the Wedding has a small release but deserves to find an audience which enjoys fine actors subtly hacking each other up with backdrops to die for.
This Italo-Australian romantic drama is sincerely charming, but does that make up for its lack of sophistication?
ACMI’s popular interactive exhibition comes to Canberra, showcasing the diversity and creativity of games.
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
The Wake in Fright-lite struggles to balance the demands of a genre film with character-driven drama.
Comedy and drama are skilfully fused with a sense of desperation in this UK/Australian ABC series.
Two eps into the ABC’s six-part series Total Control, Chris Boyd’s advice is not to give up before the end of the first one. The dividends come late, but they’re handsome.
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