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Bong Joon-ho’s Golden Globes acceptance speech elucidated a contradiction; while film audiences across the world are consuming more non-English language films, there is a persistent resistance to subtitles.
Despite a consuming focus on name performers, this year's list in screen finds some dedicated nation changers as well.
The numbers never lie. Here is The Ginnane File, the definitive annual survey of the real performance of Australian films internationally.
From Shakespeare to a red dress, this Ned Kelly is a wonderful reworking of a grand narrative, if a bit mumbly, according to Chris Boyd.
From Ned Kelly to Miss Fisher, via Helen Reddy, Bangarra, The Invisible Man and The Dry there's a lot to look out for on the big screen.
Want optimism? Crowd pleaser H is for Happiness is into Berlin, along with three really modest shorts.
Channel Manager Tanya Orman invites all Australians to enjoy the Indigenous broadcaster's distinctive programming on this fraught national day.
Rescued from solitude, Australian screen composers and songwriters cross pollinate like crazy in Los Angeles hothouse.
From the Melbourne Women in Film Festival, to protest art in Hong Kong, and survey exhibitions by George Gittoes, Carolyn Eskdale and Agathe Gothe-Snape, it is a big week of arts news.
Lynette Wallworth delivers a pungent speech confronting the Davos World Economic Forum with our experience of a land on fire.
Opinions & Analysis
Filmmakers of all ages and levels of experience create with rare collection items when they enter the State Library of NSW’s 2020 Shortstacks competition.
A local gym comes alive with video installations exploring the body, discipline, endurance and community.
2019 was an audience-friendly year for the screen sector. How did they respond?
A group of writers calling themselves Writing for the Environment – organised by Alys Jackson, Leah Kaminsky and Gretchen Miller – have penned an open letter to the media demanding they cease supporting climate denialism.
Smart policy, cultural pride and an Asian language puts Korean cinema at the heart of change. Here's an excellent potted history.
Is there money in a racing helmet that looks like this? Both Go! and the Kelly Gang need a boost.
Maybe Netflix just thinks the coffee is good in Paris, or maybe it is surrendering to determined regulation, and being nice about it.
The winners of the Australian awards at Flickerfest are an honour role of determination and multiskilling. Not to mention skill.
This could be a real local breakthrough moment for Michael Leonard and Jamie Helmer, who are known better overseas.
Fame, fortune and your pick of the best projects – or over-exposure, exploitation and unhappiness? What happens when you win an Academy Award?
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