In the know? Seen a great show? Think you have a better idea?
Hit the contribute button now to share your story
Become a Student member
Become a screenhub member
Do you want to drive awareness of your event to an engaged audience?
Do you want access to a ticketing solution?
Now you can do both on screenhub.com.au
Showing all news
The logical processes behind a fine trailer turn out to be a powerful development tool when a project is struggling to be born.
Short, snackable, raw. Here are the takeaway bites on our plate this week.
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure. Also, some original twists on some worrying debates.
Judy and Punch dances, Two Heads Creek splatters, while Better Days survives abrupt disappearance at the hands of Chinese government.
Diversity rules in musical styles, even between works by the same composer at the 2019 APRA AMCOS screen music awards.
Scorsese's latest is a paradoxical object – and not just because of its digitally de-aged cast, writes Adrian Martin.
It might not be groundbreaking, but this doco has the right kind of swagger and charm to pay tribute to the woman at its core.
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.
Opinions & Analysis
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
A brand new Master Degree at UNSW Art & Design deep dives into Visualisation, Simulation and Immersive Design while smashing traditional divisions between digital and culture.
The amiable mates follow their reliable recipe for spontaneous comedy.
This week at the Aussie box office we receive an object lesson in the disparity between commercial success and critical acclaim.
Streaming contracts seem to be turning nasty, and composers are feeling the pressure internationally. Here is Caitlin Yeo, president of the Screen Composers' Guild.
Australia has not one but two awards systems to judge films from the Asia-Pacific region, from both APSA and AACTA. How do they line up?
As the sharks of Netflix and Disney+ circle, the Good Ship Aunty manages to repel boarders and somehow find new islands of audience, according to MD David Anderson.
A good grabby story is the common essential, but details are different when you're developing locally or internationally.
Imagination will not be defeated. Witness the power of John Hinde beyond the grave, boosting science fiction in local screen production.
Streaming services, cinemas and the ultimate need to coexist.
The producers' rules about glamour: you need a clear schedule, time obsessives rule, and hunger increases anticipation. This year they all worked together.
What our office has been watching, hearing and loving, featuring an unexpected recommendation from Werner Herzog.
Advertise your event to a captive audience
Maximise the visibility and reach of your brand and events by advertising with ArtsHub. Spread the word to an engaged audience.
Become an Australian screen industry insider by joining screenhub - the one-stop-shop for the latest industry news, jobs, what’s on and much more.
Become a member this month and save 20% off your Annual screenhub Membership.
For less than $1.20 per week now is the best time to join Australia's largest film and television network.