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Showing all Film news in Opinions & Analysis
Has the sector misjudged the budget impact? No, according to an objective account from Kristen Stevens.
Opinions & Analysis
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique responsibility to telling the hard truths with stories that require reflection and depth.
The industry needs to get comfortable with having uncomfortable conversations around race, says young Chinese-Australian producer Annie Thiele, offering suggestions for positive change.
Cinemas have survived every horror for more than a century. But the threat of COVID-19 still sends a shivers up the collective industry spine.
What can we tell from the current crop of Australian short films in festivals?
On the grounds that a film might make you masturbate at home and then do something evil, MIFF has withdrawn The Trouble With Being Born.
NSW Premier Gladys Berejiklian recently took over the portfolio of Arts Minister with the resignation of Don Harwin, but does she have the focus the arts needs right now?
We asked readers what their top priorities were to funding our way through COVID-19 and beyond. Here are the results.
A veteran of DVD and Blu-ray extras laments the decline of this particular form of cinephile expression, and calls out the current state of play.
Who deserves medical care? A young mum? An addict? A person who took drugs after a liver transplant? Nicole Lee looks at a documentary that asks, what if they're all the same person?
There are good reasons why Little Women is a remarkable film, which are surely worth honouring.
Smart policy, cultural pride and an Asian language puts Korean cinema at the heart of change. Here's an excellent potted history.
Our critic abroad reflects on the films that linger in memory from 2019.
The successes and failures of determined arthouse cinemas proves that box office is a fickle beast, and justice is not in the numbers.
David Gulpilil is one of Australia's great actors. Here is an extract from his biography written by Derek Rielly.
Disney+ releases almost the full list of its (US) debut content. Maybe it wll be just too musty to rule the world.
What happens when a battered significant film festival is taken over by the significant art gallery for the same city? Not bad at all says Sarah Ward.
Danger Close raises provocative questions about the construction of a modern war film. Here's military scholar Tom Sears from the Australian Defence Forces Academy.
The recent release of yet another extended cut of Apocalypse Now puts the vexed idea of the director's cut back onto the cultural agenda.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
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