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Showing all Film news in Opinions & Analysis
Cinemas have survived every horror for more than a century. But the threat of COVID-19 still sends a shivers up the collective industry spine.
Opinions & Analysis
What can we tell from the current crop of Australian short films in festivals?
On the grounds that a film might make you masturbate at home and then do something evil, MIFF has withdrawn The Trouble With Being Born.
NSW Premier Gladys Berejiklian recently took over the portfolio of Arts Minister with the resignation of Don Harwin, but does she have the focus the arts needs right now?
We asked readers what their top priorities were to funding our way through COVID-19 and beyond. Here are the results.
A veteran of DVD and Blu-ray extras laments the decline of this particular form of cinephile expression, and calls out the current state of play.
Who deserves medical care? A young mum? An addict? A person who took drugs after a liver transplant? Nicole Lee looks at a documentary that asks, what if they're all the same person?
There are good reasons why Little Women is a remarkable film, which are surely worth honouring.
Smart policy, cultural pride and an Asian language puts Korean cinema at the heart of change. Here's an excellent potted history.
Our critic abroad reflects on the films that linger in memory from 2019.
The successes and failures of determined arthouse cinemas proves that box office is a fickle beast, and justice is not in the numbers.
David Gulpilil is one of Australia's great actors. Here is an extract from his biography written by Derek Rielly.
Disney+ releases almost the full list of its (US) debut content. Maybe it wll be just too musty to rule the world.
What happens when a battered significant film festival is taken over by the significant art gallery for the same city? Not bad at all says Sarah Ward.
Danger Close raises provocative questions about the construction of a modern war film. Here's military scholar Tom Sears from the Australian Defence Forces Academy.
The recent release of yet another extended cut of Apocalypse Now puts the vexed idea of the director's cut back onto the cultural agenda.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
MIFF 2019 opens with The Australian Dream, the documentary centred around Adam Goodes which was the perfect film for our times.
Indigenous professionals discuss what First Nations leadership looks like, and why it might offer a more viable model for bringing authority to an Indigenous-led centre.
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