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Showing all news in Opinions & Analysis
Who thought of this? The ALP's opportunity to comment on huge changes in sector regulation turns into a fireside chat about favourite films.
Opinions & Analysis
Close research by academics reveals the violence depicted is uncomfortably close to the truth.
Celebrating the film's 25th anniversary and cinema re-release, Mel Campbell writes a love letter to the iconic movie that makes her feel young and old all at once.
Championing diversity without dismantling institutional racism is like putting up a 'safe to dive' sign without doing any work to deepen the pool, writes Katrina Irawati Graham.
GetUp has made a half hour program about the attacks on the ABC. It is smart, and gripping and will get you in the feels.
'Love and Neon' is a dazzling retrospective of eleven films from the master of longing, loneliness and ephemeral ecstasy, says critic Adrian Martin, admitting initial resistance to Wong's charms.
The public argument about the Martin Bryant project is very close to home for the screen sector. Should we be prejudged? Are some ideas beyond the pale?
As the publicity caravan moves on, we can sense the longer term influences which shaped this year's AACTA results.
Powerful white men will continue to dominate unless there’s a real revolution for diversity in our media, argues Cross-Cultural Consultant Tasneem Chopra OAM.
The pandemic experience shows we can’t afford to ignore this problem any longer, argues multimedia producer Mary Tran. She offers ideas for change, in this piece supported by Diversity in Australian Media.
Has the sector misjudged the budget impact? No, according to an objective account from Kristen Stevens.
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique responsibility to telling the hard truths with stories that require reflection and depth.
"This too shall pass.' In a week of convulsive re-invention, we remember the basics.
The industry needs to get comfortable with having uncomfortable conversations around race, says young Chinese-Australian producer Annie Thiele, offering suggestions for positive change.
Through protagonist Mae, videogame Night in the Woods asks: what will the future hold, if we can’t possibly go back to the way things were before?
Hands off or interventionist? Maybe screen agencies are simply going with the flow as they campaign for diversity and new stories.
Cinemas have survived every horror for more than a century. But the threat of COVID-19 still sends a shivers up the collective industry spine.
Kalu Oji gives the perspective of an African-Australian film school graduate.
What can we tell from the current crop of Australian short films in festivals?
Having built their production company into an impressive conveyor of dreams, David Maher and David Taylor are getting ready to leave.
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