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Series Mania, running in Lille at the end of March, lines Australian series up against the world.

A latish addition to the AIDC international guest list is Myleete Aga, the director of content for Southeast Asia and Australia. She will be a key part of the market strand.

The documentary filmmaker behind 'Gayby Baby' and 'In My Blood it Runs' explains a truly collaborative and consultative approach with big impacts in mind.

The Reuters Institute annual survey on digital news covers covers 75,000 news users in 38 countries who were polled in January 2019.

How would you describe home? A new AR project through RMIT is looking for rare and untranslateable words about place and belonging

Indy producers are copping a belting in the UK, and research shows you how.

Expanding a UK business model, Krempelwood bids to back broadcasters in Australia by funding shows with media buyer money.

Rachel Okine is observant, strategic and numerate. Can she harness the energy of a screen generation in its prime?

Tight, inspiring initiatives in comedy, series and mobile. And Queer Screen's Mardi Gras, Transitions, Women in Film and a sadly treated film about happiness.

What's going on behind the scenes at the Australian International Documentary Conference? Here's a glimpse of the working parts through CEO Alice Burgin.

A solution-focused festival is more necessary than ever, says Daniel Simons who talks us through this year's highlights.

Aotearoa/New Zealand and Pacific Islander filmmakers are brought into the fold in 2020, with highlights including Jane Campion's celebrated shorts.

Author Melissa Lucashenko talks to ArtsHub about bringing her award-winning novel to the screen.

A South Korean fable about capitalism made history in a ceremony filled with songs, speeches and snubs to Netflix.

Go forth and hunt for locations, says SPA, to help areas now trashed by fire and drought.

Seeing reality cross over with sci fi in Stan's 'The Commons' was disturbing but not depressing for this apocalypse-shy viewer.

Polly Staniford and Angie Fielder have strengthened their global reach with Rachel Okine, known here for her work at Hopscotch and eOne.

The government has released hidden submissions to the last digital enquiry, so we discover how Netflix has armed itself to resist.

If anyone can pick a winner at the Oscars, Grace Boschetti can. Even better, she has a sense of injustice and does not hold back.

The screenwriting awards for Bong Joon-ho and Taika Waititi produced great speeches, while the irrepressible Rebel Wilson will never be forgotten.