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Change can be irresistible but it is never inevitable, unless it can be anchored by institutions. Hence the Screen Diversity and Inclusion Network.
From pesky foreigner to cultural hero, Bernard Bories has followed his heart and honoured the Australian screen sector. Now the love is official.
How do you grow an international audience for two larrikins and their daggy backyard humour? Valleyarm MD Mark Ashbridge talks channel management, IP protection and monetisation as we take notes.
Static mainstream as Shoplifters arrives to delight the tragics and One Cut of the Dead opens the Japanese Film Fest in Melbourne and Sydney.
Elena Ferrante's lush literary adaptation, an Australian documentary streaming service and some deep-digging true crime podcasts. Another eclectic selection from our headquarters.
Surely hi-schmick animation can be done much more quickly and much cheaper! Here is the breaking wave of change, via the Deakin Motion.Lab parked at Screen Forever.
Screen Forever adds a strand to the program about creative duos which focuses (gasp!) on the human stuff behind the puff.
Screen composer and Guild President Caitlin Yeo and filmmaker Robert Connelly honour the mysteries of their linked emotional journeys.
Moving away from the frenzied 'all or nothing' crowdfunding model, the Australian platform introduces ongoing subscriptions for podcasters, writers and gamers.
Graeme Mason has Screen Australia for another five years.
The sessions at Screen Forever are pretty enticing. Here's a bunch that might make a difference to the Australian approach to satisfying an audience.
Open marriage, irreverent comedy and some local film-loving podcasts are our top picks this week.
Beyond the tentpoles Peter Jackson's film about WW1 will honour the Armistice this weekend, while Boy Erased does Joel Edgerton proud.
End of legal stoush creates fascinating mystery.
Australian audiences take to Queen like it was waving at them from a black Rolls-Royce.
Two indy comedies out in 2018 - what do they tell us about the State of the Form? Does it really belong on television?
While we struggle with the very concept that our sector should be regulated, the Chinese have no doubt about the power of national belonging.
On the ground in Bathurst, ArtsHub takes the pulse on this regional arts conference and asks just how robust our regions really are?
It is no secret that the Screenhub Hivemind is fascinated by horror and Asian cinema. Here we share some of the reasons why.
Sydney has the 2018 Screen Music Awards, leaving Melbourne composers on the plan like the rest of their national colleagues. Who is in contention?
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