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This week at the box office, audiences see the classics reimagined, the familiar rendered horrific – and an Icelandic film makes an unexpected splash.
It worked, says the Sydney Film Festival of its COVID-19 Defiance Edition, and reveals the numbers to prove it.
An editor wants to approach new talent in a way that's respectful, not tokenistic. Media Mentor Esther Coleman-Hawkins enlists some experts to help.
There were nearly double the entries this year, with a slew of new and established directing talent recognised. Watch these names.
The second lockdown may have dampened the spirits of our Melbourne office, but it has had quite the opposite effect on our enthusiasm for film and TV.
ABC funding cuts undervalue both the arts and contemporary stories in our multicultural Australia, argues Vyshnavee Wijekumar.
Natalie Erika James' directorial debut will resonate with anyone who’s witnessed human frailty at confrontingly close quarters.
An interview with the Perth-based creator, producer and director of NITV's gorgeous documentary series 'Family Rules', now in its third season.
Making use of the grammar of lockdown-filmed-at-home comedy, this ABC ensemble show feels funny and familiar, writes Anthony Morris.
Big gestures are being made around the world to get the studios humming but what how is the rest of the world re-starting studios and productions. This may well be a triumph of hope over common sense.
'Something is dangerously askew in the way that we are talking about race in the arts in this country, and we feel that it is time we spoke up,’ write Warwick Thornton, Tony Ayres, Rachel Perkins and others.
Greening Australia's screen industry is the goal for our best-known Impact Producer, the most recent recipient of the Natalie Miller Fellowship.
A small documentary festival in Castlemaine, pioneers in WA Rev it up, and six strangers on Zoom across Australia launch different ways of engaging audiences.
In a crazy year, here are the latest announcements of funding from Screen Australia which producers will thread through the pandemic.
Banijay, once the cuddly friend of Screentime Australia, has absorbed Shine Endemol to emerge as a modern version of King Kong.
A drunken Australian step-cousin of 1970s European and American cinema, Parish Malfitano's debut is a rich minestrone stew of cinephilic allusions.
In Australia, making a film about a true blue motor racing hero will inevitably become an obsession. As Veronica Fury discovered.
The Inquiry Report pinpointed videogame development as a ‘new and emerging industry,' recommending federal support to increase co-investment opportunities, tax incentives, and other forms of investment.
Festivals, film openings and awards continue. This fortnight's eclectic roundup shows an industry pivoting painfully, but still alive and planning for the future.
Revitalising a CBD carpark, the Launceston Creative Precinct centres around an education facility for a next generation of digital creators, hoping to drive new creative economies to regional Australia.
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