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Showing all news in Features
The numbers never lie. Here is The Ginnane File, the definitive annual survey of the real performance of Australian films internationally.
Fame, fortune and your pick of the best projects – or over-exposure, exploitation and unhappiness? What happens when you win an Academy Award?
Our handy guide to fiction film festivals around the world which might tempt you off the beaten track.
Like many artists, animator and director Darcy Prendergast wanted to use his art to respond to the inaction around human-induced climate change.
Let's look at the cruelly overlooked, the chronically successful, and the criminally overconfident releases that showed on our screens this weekend.
We look at some of the best games from Australia and New Zealand released in 2019 – there are plenty to choose from.
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2019.
Let's have a look at screenhub's biggest stories of 2019: from the timely, to the timeless.
We’ve asked some of the leading podcast producers from The Guardian, Sisteria and RRR to share their favourite podcast picks of 2019.
This week at the box office brings a spooky alternative to animated princesses while The Good Liar goes bad, and more.
This week in the box office promises old school mysteries and frosty adventures. How did Australian films do?
Finding her way to a film career through a love of street art, this director gives good advice to others lacking the confidence of traditional pathways.
The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.
Screenhub caught up with digital environment designer Su-Yiin Lai to talk about the speculative architecture, videogames, and working between disciplines.
Matchbox Pictures has a grand gala night in New York.
Screenhub brings you this week's box office biz, from stoned teens to snow queens.
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
This week at the Aussie box office we receive an object lesson in the disparity between commercial success and critical acclaim.
What our office has been watching, hearing and loving, featuring an unexpected recommendation from Werner Herzog.
As Christmas creeps into the box office, we take a look at whether audiences are feeling the festive spirit.
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