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Statistics bear out the value of sentiment as the emotive power of diversity for the sector turns out to match the preferences of audiences.
Lorien Gugich will bring six years of partnered Twitch streaming, experience in production and community management, and a passion for inclusivity to the studio she's founding.
With her occult paintings and kinky sex life, artist Rosaleen Norton caused scandal in 1950s Sydney. We talk to the director of a new documentary celebrating her life.
Packed with New Zealand comedic talent, this character-driven story about impending parenthood is genuinely funny, writes Mel Campbell.
Learn how you can hone your business skills to be part of the next generation of screen leaders with a Masters at AFTRS.
Comedy Baby Done would do ace business in a normal year, but is beaten handily by a grim Polish film about a fake priest which fanatics claim is blasphemous.
Beneath a decorously savage surface, the ABC has relentlessly turned vague cliches into solid restructures. What does this look like to a patient veteran?
We asked the prolific Australian director and photographer about his two weeks alone in a room with a camera, his presence on Instagram and the upcoming feature film Penguin Bloom.
Inspired by real stories, and shot on the streets of Kabul, Granaz Moussavi's quiet, anti-war film left its Adelaide Film Festival audience speechless, writes Travis Akbar.
A lively group of jurors reached into the heart of Australian creativity and out to an arthouse stunner from Georgia to find their winners for 2020.
Writer-director Catherine Dwyer brings to life the rambunctious, contested history of Australian second-wave feminism, says Mel Campbell.
Announced in a virtual ceremony, the director's awards celebrated achievements of diverse newcomers and established talent in a year of much change.
Players can kill, hunt or hurt animals in popular games ranging from Animal Crossing to Grand Theft Auto. The rise of this (increasingly realistic) trend in games, along with people’s tendency to go along with it, raises important questions.
Pain all round the exhibition sector from the high towers of Hollywood to picture houses showing Slim and I.
Some of the best film projects around the world led by people with learning disability are running at the online and real SDSW Film Festival, curated from South Australia.
The Entertainment space at the ABC is probably the most intense ideas machine in Australian TV. The ringmaster, Nick Hayden, gives a great interview.
The Commercial Photography Industry has petitioned the VIC Government under the placard ‘We are tradies too’, in a desperate plea to return to work.
Seth Larney's time travel drama was opening night film at Adelaide Film Festival. Critic Adrian Martin ponders its place within the genre, and its attempts to have it both ways regarding the human perspective.
Every Cloud turned Miss Fisher into a franchise through curiosity, and have been rewarded with a cultural phenomenon. Producer Fiona Eagger talks about the Chinese version.
Our fortnightly mash-up of production news, policy analysis, festivals and reviews. Also some excitement about Chris Hemsworth and George Miller making a Mad Max prequel.
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