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Showing all news in Around The Web
30 May 2019
A thorough roundup of developing Chinese assault on US manufacturing. As we globalise, the system is having a fit.
Around The Web
28 May 2019
From the West Wing through Friday Night Lights, Enlightened and The Leftovers, this list is great but very US-centric.
24 May 2019
Streamers take lots, film market flat, indys get less like US and survive on international market.
Every career story is unique and this one is an endearing tack across physical and digital crafts.
Once Upon a Time In Hollywood leaves the state and gets trumped by a Korean genius with a Parasite.
Some clues to the future of streaming. His Dark Materials? hmmm...
The Writers Guild America and the agents are talking again in their brutal freeze-off and starve dispute.
Mark these names if you deal with BBC Studios.
10 May 2019
GoT has attracted the podcasters who have thrown themselves into the metaworld of talking GoT like dragon owners looking for a superfood.
03 May 2019
A huge figure in Hong Kong cinema, Wong Kar-Wai is the classic Hong Kong filmmaker. 'Action is the first word you must learn. And the second is patience.'
Olivier Assayas is also a critic and screenwriter with a long track record, well worth reading.
First best of.. list for the second decade of the century puts Mad Max: Fury Road at the top.
Walter Murch is a living legend and talismanic inspiration in film editing. Here's a close-up on part of his influence.
Peter Hamilton, expert and sleuth, reminds his documentary friends that he has many recent studies of the market, available for a fee commensurate with the scale of the data. He is very valuable.
02 May 2019
Looks awfully like a television methodology.
26 Apr 2019
How film preferences pale-skilled peoples, and how the problem did not go away with digital. Where else can you find an actual racist piece of technology?
25 Apr 2019
International creatives are polled on their perception of the changes to the form created by the international streaming titans.
24 Apr 2019
Academy rules change but Netflix is safe as long as it runs a film in a cinema in the US at least a day before streaming. Keating would say that is like being flogged with a wet lettuce.
Deadwood broke through into the modern streaming approach to heroism, bad dudes, casual violence and grotesque squalor. It is back for one last time.
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