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The interactive medium can engage players in profound questions about grief, mortality, and what it means to move on.
The cinema sector is lining up to pressure the Victorian Government to let them open up, since they are at the very end of the recovery list.
An excellent cast and surprising scripting make Jeremy Sims' remake of the Icelandic comedy a rare pleasure in Australian cinema, says Anthony Morris.
Twenty-two projects, a million dollars and a surge of ghost stories will keep the development wheels churning to build the national slate for 2021.
The pandemic experience shows we can’t afford to ignore this problem any longer, argues multimedia producer Mary Tran. She offers ideas for change, in this piece supported by Diversity in Australian Media.
Opinions & Analysis
From classic horror to familiar dystopias, these are the films and show that are scaring the office silly this Halloween.
Statistics bear out the value of sentiment as the emotive power of diversity for the sector turns out to match the preferences of audiences.
Lorien Gugich will bring six years of partnered Twitch streaming, experience in production and community management, and a passion for inclusivity to the studio she's founding.
With her occult paintings and kinky sex life, artist Rosaleen Norton caused scandal in 1950s Sydney. We talk to the director of a new documentary celebrating her life.
Packed with New Zealand comedic talent, this character-driven story about impending parenthood is genuinely funny, writes Mel Campbell.
Learn how you can hone your business skills to be part of the next generation of screen leaders with a Masters at AFTRS.
Comedy Baby Done would do ace business in a normal year, but is beaten handily by a grim Polish film about a fake priest which fanatics claim is blasphemous.
Beneath a decorously savage surface, the ABC has relentlessly turned vague cliches into solid restructures. What does this look like to a patient veteran?
We asked the prolific Australian director and photographer about his two weeks alone in a room with a camera, his presence on Instagram and the upcoming feature film Penguin Bloom.
Inspired by real stories, and shot on the streets of Kabul, Granaz Moussavi's quiet, anti-war film left its Adelaide Film Festival audience speechless, writes Travis Akbar.
A lively group of jurors reached into the heart of Australian creativity and out to an arthouse stunner from Georgia to find their winners for 2020.
Writer-director Catherine Dwyer brings to life the rambunctious, contested history of Australian second-wave feminism, says Mel Campbell.
Announced in a virtual ceremony, the director's awards celebrated achievements of diverse newcomers and established talent in a year of much change.
Players can kill, hunt or hurt animals in popular games ranging from Animal Crossing to Grand Theft Auto. The rise of this (increasingly realistic) trend in games, along with people’s tendency to go along with it, raises important questions.
Pain all round the exhibition sector from the high towers of Hollywood to picture houses showing Slim and I.
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