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Showing all Film news
The cinema sector is lining up to pressure the Victorian Government to let them open up, since they are at the very end of the recovery list.
The pandemic experience shows we can’t afford to ignore this problem any longer, argues multimedia producer Mary Tran. She offers ideas for change, in this piece supported by Diversity in Australian Media.
Opinions & Analysis
From classic horror to familiar dystopias, these are the films and show that are scaring the office silly this Halloween.
With her occult paintings and kinky sex life, artist Rosaleen Norton caused scandal in 1950s Sydney. We talk to the director of a new documentary celebrating her life.
Packed with New Zealand comedic talent, this character-driven story about impending parenthood is genuinely funny, writes Mel Campbell.
Comedy Baby Done would do ace business in a normal year, but is beaten handily by a grim Polish film about a fake priest which fanatics claim is blasphemous.
Inspired by real stories, and shot on the streets of Kabul, Granaz Moussavi's quiet, anti-war film left its Adelaide Film Festival audience speechless, writes Travis Akbar.
A lively group of jurors reached into the heart of Australian creativity and out to an arthouse stunner from Georgia to find their winners for 2020.
Writer-director Catherine Dwyer brings to life the rambunctious, contested history of Australian second-wave feminism, says Mel Campbell.
Announced in a virtual ceremony, the director's awards celebrated achievements of diverse newcomers and established talent in a year of much change.
Pain all round the exhibition sector from the high towers of Hollywood to picture houses showing Slim and I.
Some of the best film projects around the world led by people with learning disability are running at the online and real SDSW Film Festival, curated from South Australia.
Seth Larney's time travel drama was opening night film at Adelaide Film Festival. Critic Adrian Martin ponders its place within the genre, and its attempts to have it both ways regarding the human perspective.
Has the sector misjudged the budget impact? No, according to an objective account from Kristen Stevens.
We are in strange, strange territory in the international box office, while local crowd pleasers can't bring customers out of doors.
Created to mark 30 years of the acclaimed Indigenous dance company, Wayne Blair and Nel Minchin's documentary also serves as a moving tribute to the Page brothers, writes film critic Sarah Ward.
Brisbane-based animation company Like a Photon delivers another crowd-pleaser, with Deborah Mailman’s lead voice a real highlight, says Diversity in Australian Media reviewer Naavikaran.
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique responsibility to telling the hard truths with stories that require reflection and depth.
Lovingly capturing its West Australian locations, this Tim Winton adaptation would have worked better with local lead actors, argues Sarah Ward.
The writer, director and ADG President reflects on the stories we're going to need and the challenges facing the industry.
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