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Blackfella's head of factual talks about keeping a format fresh and avoiding tackiness in the third season of SBS's 'Filthy Rich & Homeless'.
'It’s all very well to say "we need the ocean to live", but I bet most people on the street can’t tell you why. We wanted to tell a story of how the ocean creates all life on planet earth, and of connectivity between creatures.’
Gut Feeling, a multi-award-winning Australian web series, has launched the career of AFTRS alumna Hattie Archibald. She tells us how the journey unfolded.
No less than four of the top ten in the industry-led popular top ten list rely heavily on a female audience.
Set in 1950s Australia around the Maralinga A-bomb tests, this satirical thriller from Peter Duncan is entertaining but takes a while to find its feet.
Ponder Warwick Thornton's six-part slow TV series on the biggest screen you can find, says Chris Boyd.
Choose from a rich selection of Indigenous film, TV and live events to mark this National Reconciliation Week #InThisTogether2020.
The battle for worldwide streaming supremacy looks like a fast-motion version of Westeros. Foxtel's latest deal gives it Binge, a new streamer which even has The Game of Thrones.
An interview with the award-winning filmmaker about his very personal project. Part cooking show, documentary series and performance art, it defies genres.
Vicky Jones and Phoebe Waller-Bridge's mysterious rom-com explores fantasies of reinvention and escape.
Producer Belinda Dean and writer Emily Dash talk about their Digital Originals project and developing a character who happens to live with disability.
Australian writer-creator Tony McNamara delivers a bingeable historical farce that will delight fans of 'The Favourite'.
The Australian stage and screen actor, whose work included roles in The Devil’s Playground and The Dismissal, has died of a heart attack aged 80.
Mark Ruse, key Melbourne indy producer, brought grace and generosity to the hard craft of comedy.
The Fresh Voices initiative by the ABC is far more than a content program as Michael Carrington, the Director of Entertainment & Specialist content reveals.
This adaptation of Sally Rooney's divisive hit reproduces the complex, deeply felt emotions of the book with painterly direction and terrific acting.
Producer Tyson Mowarin talks about the extreme labour of love involved in making a 10-part Indigenous kids' show in the Pilbara.
Confident nods to international crime drama make this Indigenous cop franchise a winner on multiple levels.
More diffuse in focus, this season expands the world of its haunted characters, but maintains a tender truth at its heart.
Four female-led creative teams receive $20,000 for further development on TV drama series.
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