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Showing all news in Features
Eliminating the delay in access to episodes has made the HBO series part of shared media culture that transcends national boundaries.
Determined to transform the tough combo of business and arts, David Court and co open their own business school.
Before cameras even begin to roll, female characters suffer sexism in how they are described on the pages of screenplays. What can we do to improve this?
The Hive program which combines practicing artists and filmmakers and funds the result has returned from the bureaucratic grave. There is life in dark times.
ABC Production Manager Jenny Barty died suddenly, so close to retirement, leaving us to realise just how much she is loved.
Freed from the constraints of long form, creativity on the small screen is exploding with web series. Here's another excellent batch.
lldikó Enyedi, who won the top prize at the 2017 Sydney Film Festival, shared her creative process at a Screen Women master class.
Beneath the whimsy is forty years of smart business and a crusade to create the best stop motion in the world. With love and plasticine. And cheese.
Talent Camp requires a different approach to industry partnerships, and allows us to ask a basic question: why are we trying to engineer diversity?
We all want diverse stories to fit a diverse country. This is what we actually mean.
The master survey of the whole sector from the ABS is a fascinating mix of fortunes, which basically shows that the industry is hanging on despite difficult times.
Icon versus bureaucracy? The inevitable passage of time and tide? Paul Harris, Triple R and his loyal listeners face the end of an institution.
Richard Tognetti and Jennifer Peedom collaborate on unique concerts and a landmark documentary.
Warwick Thorton's We Don't Need a Map is really something - a major essay film that is funny and fresh and unpretentious.
In from day one, producer Melissa Kelly describes how Hounds of Love evolved and honoured its original vision. Will it stand the test of time?
The government's rhetoric is all about innovation, the future, and exports, so why aren't they supporting our acclaimed local industry?
Ruben Östlund, who won the Palm d'Or at Cannes this year, has a fascinating way of working with actors.
Senate Estimates misses good questions, diverts into minority party bizzaro, and pays homage to Antiques Roadshow.
From software IP to in-house creative development on international projects, Zareh Nalbandian inches forward like a steam engine in mud - patient but unstoppable.
Do you need to go to film school? Maybe not, but here's ten ways to turn your education into a creative screen career.
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