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Under new reforms, producers cannot get a tax rebate for production budgets under $1 million. Recent films in this category include Gurrumul, In My Blood it Runs, Firestarters, Brazen Hussies and Girls Can't Surf .
Getting started is hard, but fortune favours the relentless. Also, you should get cracking on LinkedIn, says Media Mentor Esther Coleman-Hawkins.
Rikki Lea Bestall replaces Willie Rowe as CEO in Screenwest at a time of considerable change.
The lobbying worked. The government's plan to reduce the 40% rebate for the feature sector has been abandoned.
Catch up with our fortnightly round-up of news, views, announcements and reviews from the world of Australian film, TV and games.
A relationship drama plays out with a touch of mystery in the new SBS shortform series set on the wild west coast of Tasmania, says Raveena Grover.
Highlights of the latest support from Screen Australia include Matt Okine and the feature documentary sector.
A new crew and facilities database goes live, as well as a locations gallery for filmmakers wanting to work in the Island state, but no word on sector funding as State election looms.
11 QLD and 18 NSW arts organisations from theatre to First Nations and regional arts, share in $6.8 million from the second round of Federal RISE grants for COVID recovery.
AIDC has promoted Natasha Gadd, its own Partnerships and Industries Development Manager, as its new CEO and Creative Director.
Despite sounding like nutty treats, this term relates to the measurement of SVOD audiences. Media Mentor Esther Coleman-Hawkins explains how they help you to pitch and sell your show.
SBS cooks up its biggest commission, Megan Riakos leaves WIFT to get creative, and Australian films selected for Hot Docs. Our fortnightly round-up of industry news and reviews.
International productions are building alliances with local companies as the game changes from features to streamed series.
'Setting the Scene for Greener Screens' is a new resource available on Documentary Australia Foundation's website. It's full of practical ideas and conversation-starters for filmmakers.
The first Decadent Edition from Fireflies Press is a beautifully produced and thoughtful essay from a prolific and eloquent critic. Adrian Martin reads closely and enjoys, but wonders at the current tendency for endless digression.
Dominating the box office, but faced by cuts, what is the future of the Australian feature film sector?
The well-oiled screen industry lobbying machine went to Canberra to launch a key demand converting the streaming companies into partners with the local screen sector.
Online conferences were great for shy people, but now in-person events are back. Brush up on your social skills and be brave, says Media Mentor Esther Coleman-Hawkins.
Wyrmwood Apocalypse wraps shoot, while George Clooney and Julia Roberts have tickets to paradise in Queensland production boom. A grab bag of news, views, opinions and announcements.
The Originate program is a new venture in diversity which brings some agency energy into bespoke development and low budget features.
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