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Mark Montefiore of Letterkenny and Bad Blood has a unique mind and a feel for starting small and REALLY maximising value.
Intensely violent games = mayhem in the real world. Debunking an argument that will not go away.
Opinions & Analysis
The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.
Screenhub caught up with digital environment designer Su-Yiin Lai to talk about the speculative architecture, videogames, and working between disciplines.
Politics seeps into everything this week, from dystopian drama to Briggs' music video and a fun little Donut game.
In less than five years, Stan has spent $55m on Australian content, is making a profit and believes it has a headlock on the future. Here's how.
Diversity rules in musical styles, even between works by the same composer at the 2019 APRA AMCOS screen music awards.
Short, snackable, raw. Here are the takeaway bites on our plate this week.
The logical processes behind a fine trailer turn out to be a powerful development tool when a project is struggling to be born.
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
A brand new Master Degree at UNSW Art & Design deep dives into Visualisation, Simulation and Immersive Design while smashing traditional divisions between digital and culture.
As the sharks of Netflix and Disney+ circle, the Good Ship Aunty manages to repel boarders and somehow find new islands of audience, according to MD David Anderson.
What our office has been watching, hearing and loving, featuring an unexpected recommendation from Werner Herzog.
The initial information about the new Self-Regulatory Code for the Subscription Video on Demand Industry in ASEAN did not have the actual wording. Here are the relevant passages.
Rachel Perkins will unveil her work on the Boyer Lectures from Friday. In the meantime, we explore the ABC's editorial process to turn ideas into story.
NBCUniversal signs onto a self-regulatory approach to streaming in ASEAN countries, highlighting the rise of local control over values.
As SPA focuses on SVODs in Screen Forever next week, an RMIT report lays out the realities of Australian content. And the need for family friendly creativity.
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
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