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Screenhub revels in the annual Screen Music Awards because the creators are challenged to be daring, to search the world for the rights sounds, and open themselves to such interesting emotions.
Sustaining the highest sound and post production quality is a kind of religion, and its Sydney temple is under new management.
Violence in Central Africa is so bound up with the minerals used in consumer tech, some call it the PlayStation War. Here are Sony, Nintendo, and Microsoft's annual reports on their conflict minerals supply chains.
Bird's Eye View, a docu-series about women in a Darwin correctional centre won Podcast of the Year; Schwartz Media's 7am took best newcomer, and some ex Bachelor contestants won audience fave.
RMIT’s Capitol Theatre presented another online shared-while-apart cinematic experience with a screening of Spaceship Earth.
Artists are hosting incredible digital events through Animal Crossing: New Horizons, in a time when COVID-19 made meeting in person impossible.
From Fargo to The Crown, The Queen's Gambit, an accessible Irish Film Festival and the puzzling new game Baba is You, here are our recommendations this month.
Videogames from developers big and small are beginning to explore the encroaching influence of neo-fascism.
The hashtag #IamPOCinPlay was created by POC in Play, a UK-based organisation that develops initiatives to promote and include People of Colour.
The clash between streamers and local broadcasters is truly international, with an extra twist when the domestic supplier has a cultural remit.
There are a LOT of free events online for film tragics coming up, from hardline technical masterclasses to the gentlest of Japanese kids' films, all signalling a new approach to reaching national audiences.
'No I don’t have any data – but it’s true,' says Hollywood mogul Jeffrey Katzenberg, as he turned Quibi into a Hindenburgian explosion in the digital domain.
Where better than to punch out the parameters of drawing in our times than an art school? The National Art School takes the lead in establishing a centre for experimentation and engagement.
Kirk Edwards, CEO of Village Cinemas, lays out some key ways in which the industry will evolve after COVID-19, with the help of a certain magpie.
State of Play offers development funding and mentorship to strengthen and showcase the collaboration between nonfiction stories and gaming technologies to bring new documentary games to life.
The feature film doomsayers are forced to retreat in confusion once again as lower budget pearlers lock horns with modestly financed Austra-Hollywood gems.
A peace sign from Martin Luther King, Jr. becomes a rude gesture; dolphins swim in Venice’s Grand Canal; and crocodiles roam the streets of flooded Townsville – all manipulated images posted as truth.
The interactive medium can engage players in profound questions about grief, mortality, and what it means to move on.
Twenty-two projects, a million dollars and a surge of ghost stories will keep the development wheels churning to build the national slate for 2021.
The pandemic experience shows we can’t afford to ignore this problem any longer, argues multimedia producer Mary Tran. She offers ideas for change, in this piece supported by Diversity in Australian Media.
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