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Australian screenwriters have known for a long time that they can leapfrog the limited opportunities available in Australia and talk directly with Hollywood. Actually doing it is like squelching off into a tropical jungle in search of El Dorado.
One useful tool is the Black List, a way of exposing spec scripts to the public gaze, which has substantial traction in the US. The actual list is an annual assembly of the most liked but unproduced scripts circulating round Hollywood.